A critical companion to the american stage musical
著者
書誌事項
A critical companion to the american stage musical
（Critical companions）
Bloomsbury Methuen Drama, 2017
- : PB
- : HB
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注記
Includes bibliographical references (p. [261]-271) and index
内容説明・目次
内容説明
This Critical Companion to the American Stage Musical provides the perfect introductory text for students of theatre, music and cultural studies. It traces the history and development of the industry and art form in America with a particular focus on its artistic and commercial development in New York City from the early 20th century to the present. Emphasis is placed on commercial, artistic and cultural events that influenced the Broadway musical for an ever-renewing, increasingly broad and diverse audience: the Gilded Age, the Great Depression, the World War II era, the British invasion in the 1980s and the media age at the turn of the twenty-first century.
Supplementary essays by leading scholars provide detailed focus on the American musical's production and preservation, as well as its influence on daily life on the local, national, and international levels. For students, these essays provide models of varying approaches and interpretation, equipping them with the skills and understanding to develop their own analysis of key productions.
目次
- Introduction Chapter 1 The Birth of (the Popular Culture of) a Nation: Stage Entertainment in a New Land Chapter 2 The Civil War Era to the Gilded Age Chapter 3 The Early 20th Century Chapter 4 The Great Depression to World War II Chapter 5 World War II to 1960 Chapter 6 We've Surely Got Trouble: The 1960s and 1970s Chapter 7 The Megamusical to Hamilton Chapter 8 Other Angles: Different Approaches to the American Stage Musical Putting It Together: A Step-By-Step Look At Musicals from the Page to the Stage, by Robert Meffe (San Diego State University, USA) Making Musicals for Serious Pleasure, by Stacy Wolf (Princeton Univesity, USA) Off Off Off Off Broadway: Musicals and the Regional Theater, by Laura MacDonald (University of Portsmouth, UK) Today, Broadway
- Tomorrow, the World: The "American" Musical and Globalization, by Jessica Sternfeld (Chapman University, USA) Ways of Knowing: Interdisciplinary Approaches to Studying the Stage Musical, by Elizabeth Titrington Craft (Harvard University, USA) and Joanna Dee Das (Williams College, USA) Notes Bibliography Notes on Contributors Index
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