Cinema in service of the state : perspectives on film culture in the GDR and Czechoslovakia, 1945-1960

著者

    • Karl, Lars
    • Skopal, Pavel

書誌事項

Cinema in service of the state : perspectives on film culture in the GDR and Czechoslovakia, 1945-1960

edited by Lars Karl and Pavel Skopal

（Film Europa : German cinema in an international context, v. 18）（Berghahn on film）

Berghahn, 2017, c2015

  • : pbk

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注記

"First paperback edition published in 2017"--T.p. verso

Includes bibliographical references and index

内容説明・目次

内容説明

The national cinemas of Czechoslovakia and East Germany were two of the most vital sites of filmmaking in the Eastern Bloc, and over the course of two decades, they contributed to and were shaped by such significant developments as Sovietization, de-Stalinization, and the conservative retrenchment of the late 1950s. This volume comprehensively explores the postwar film cultures of both nations, using a "stereoscopic" approach that traces their similarities and divergences to form a richly contextualized portrait. Ranging from features to children's cinema to film festivals, the studies gathered here provide new insights into the ideological, political, and economic dimensions of Cold War cultural production.

目次

Acknowledgments Introduction PART I: CULTURAL POLICY AND CINEMA Chapter 1. From Soviet Zone to Volksdemokratie: The Politics of Film Culture in the GDR, 1945-1960 David Bathrick Chapter 2. Czechoslovak Culture and Cinema, 1945-1960 Jiri Knapik PART II: PRODUCTION AND CO-PRODUCTION Chapter 3. "Veterans" and "Dilettantes": Film Production Culture vis-a-vis Top-down Political Changes, 1945-1962 Petr Szczepanik Chapter 4. Barrandov's Co-Productions: The Clumsy Way to Ideological Control, International Competitiveness, and Technological Improvement Pavel Skopal Chapter 5. Co-Productions (Un)Wanted: 1950s East/West German Film Collaborations and the Impact of Sovietisation on DEFA's Prestige Agenda Mariana Ivanova Chapter 6. No TV without Film: Production Relations between the DEFA Studios and Deutscher Fernsehfunk Thomas Beutelschmidt PART III: NON-FICTIONAL CINEMA Chapter 7. Military Film Studios before 1970: Between Cinematic Avant-Garde and Films on Command Vaclav Smidrkal Chapter 8. Socialism for Sale: Czechoslovak Kratky film, Custom-Made Film Production, and the Promotion of Consumer Culture in the 1950s Lucie Cesalkova PART IV: CHILDREN'S CINEMA Chapter 9. Between Magic and Education: the First Fairy Tale Films in the GDR Christin Niemeyer Chapter 10. Children's Films: Between Education, Art and Industry Lukas Skupa PART V: FILM FESTIVALS Chapter 11. Decreed Open-Mindedness: The Leipzig Documentary and Short Film Festival in the 1960s as an example of the self-representation of the East German State Andreas Koetzing Chapter 12. National, Socialist, Global: The Changing Roles of the Karlovy Vary Film Festival, 1946-1956 Jindriska Blahova PART VI: DISTRIBUTION AND RECEPTION Chapter 13. Cinema Cultures of Integration: Film Distribution and Exhibition in the GDR and Czechoslovakia from the Perspective of Two Local Cases, 1945-1960 Kyrill Kunakhovich and Pavel Skopal Chapter 14. A Decade between Resistance and Adaptation: The Leipzig University Film Club (1956-1966) Fernando Ramos Arenas Chapter 15. Screening the Occupier as Liberator: Soviet War Films in the SBZ and the GDR, 1945-65 Lars Karl Filmography Bibliography Index

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