Migrants in contemporary Spanish film
著者
書誌事項
Migrants in contemporary Spanish film
（Routledge focus on film studies, 3）（Routledge focus）
Routledge, Taylor & Francis Group, 2018
- : hbk
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注記
Includes bibliographical references (pages 112-120) and index
内容説明・目次
内容説明
During the last two decades Spain has undergone an unprecedented transformation from being a country of emigrants to receiving a significant number of migrants from all around the world. This book focuses on the analysis of documentaries and fiction films representing migrants in Spain in the first decade of the twenty-first century. Guillen Marin explores the ways in which migrant and non-migrant filmmakers reframe the urban and rural space to create opportunities for a free, although contested, exchange between marginal voices and mainstream Spanish society. She analyzes the extent to which the films challenge forms of exclusion and represent ethnicity in a space that includes some and excludes others.
目次
1. Introduction
Part 1: The Documentaries
2. The Construction of Dissensus in En construccion (Jose Luis Guerin, 2001)
2.1 Introduction
2.2 The Cinematic Construction of Dissensus
2.3 The Democratics of Space and Time
2.4 Migrant Identities and Contrasted Masculinities
2.5 Conclusion
3. Female Migration and Multiculturalism in Extranjeras (Helena Taberna, 2003)
3.1 Introduction
3.2 Multiculturalism within the Spanish Context
3.3 Dissensus
3.4. Consensus
3.5. Conclusion
4. Madrid from the Other Side in El otro lado...un acercamiento a Lavapies (Basel Ramsis, 2002)
4.1 Introduction
4.2 Formal Devices and Authorial Voice
4.3 The Biblical Intertext
4.4 Spatial Contestation
4.5 The Use of Music
4.6 Conclusion
Part II: The Fiction Films
5. Female Migrant Identities, Rural Space and Consensus in Flores de otro mundo (Iciar Bollain, 1999)
5.1 Introduction
5.2 Flores de otro mundo as a Melodrama
5.3 Plot Influences and Contextualization of Flores de otro mundo
5.4 The Rural as a site for Spatial Contestation
5.5 Restoration of the Patriarchal Order
5.6 Exoticization and Sexualisation of the Caribbean Migrants
5.7 Conclusion
6. Morocco, Spain and the Ethical Turn in Retorno a Hansala (Chus Gutierrez, 2008)
6.1 Introduction
6.2 Retorno a Hansala, Plot and Contextualization
6.3 Return to Hansala and the Road Movie
6.4 The 'Bare Life' of the African Migrant
6.5 Conclusion
7. Barcelona, the Precariat and Post-Migration Cinema in Biutiful (Alejandro Gonzalez Inarritu, 2010)
7.1 Introduction
7. 2 The Precariat
7.3 Urban Landscape and Working Class Heritage
7.4 Nature, Religion and Uxbal's Experience of the City
7.5 Gender and Ethnicity
7.6 Conclusion
8. Conclusion
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