The reception of Du Fu (712-770) and his poetry in imperial China

著者

    • Ji, Hao

書誌事項

The reception of Du Fu (712-770) and his poetry in imperial China

by Ji Hao

（Sinica Leidensia, v. 136）

Brill, c2017

  • : hardback

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注記

Originally presented as the author's thesis (doctoral)--University of Minnesota, 2008

Includes bibliographical references and index

内容説明・目次

内容説明

For centuries, Chinese critics have acclaimed Du Fu (712-770) as "China's greatest poet." He has exerted tremendous influence both as a model poet and as a cultural icon. In The Reception of Du Fu (712-770) and His Poetry in Imperial China, Ji Hao provides modern readers with a general picture of the reception of Du Fu and his work from the Song to the Qing. He also explores major shifts in interpretive approaches to Du Fu's poetry and their poetic and cultural implications. Through the case of reading Du Fu, the book also offers an in-depth examination of subtleties of the mode of life reading and the concept of transparency. This exploration seeks to provide a new orientation to the significance of the overarching principles of reading poetry in traditional China.

目次

Acknowledgments List of Figures List of Contributors Introduction Part 1: Early Netherlandish Painting and Prints 1 Strategies of Intimacy: Memling's Triptych of Adriaan Reins Lynn F. Jacobs 2 Those Who Are Bashful Starve: An Interpretation of the Master of the Brunswick Diptych's Holy Family at Meal Henry Luttikhuizen 3 Hugo van der Goes and Portraiture Maryan W. Ainsworth 4 The Besieged War-Elephant: A Boschian Moralized Antiwar Discourse Yona Pinson 5 The Overpainted Patron: Some Considerations about Dating Bosch's Last Judgment Triptych in Vienna Erwin Pokorny Part 2 Sixteenth-Century Netherlandish Painting 6 The Red Jew, Red Altarpiece and Jewish Iconography in Jan de Beer's St. Joseph and the Suitors Dan Ewing 7 "Headlong" into Pieter Bruegel's Series of the Seasons Reindert L. Falkenburg 8 Better Living Through Misinterpretation Bret Rothstein 9 The Last Supper with Donors in the Chrysler Museum Collection Lloyd DeWitt 10 Michiel Coxcie's Artistic Quotations in The Death of Abel Christopher D. M. Atkins Part 3 Manuscripts, Patrons, and Printed Books 11 Veronica's Textile Herbert L. Kessler 12 It's February in the Early Fifteenth Century: What's for Dinner? Harry Rand 13 Oratio ad Proprium Angelum: The Guardian Angel in the Rothschild Hours Dagmar Eichberger 14 Chinese Painting and Dutch Book Arts: The Challenges of Cross-Cultural Interpretation Dawn Odell 15 Kinesis and Death in Lautensack Christopher P. Heuer* 16 Virgil's Flute: the Art and Science of "Antique Letters" and the Origins of Knowledge Andrew Morrall 17 Born to Teach: Nikolaus Glockendon's Finding of Jesus in the Temple Debra Taylor Cashion 18 Nicolaes Witsen's Collection, his Influence, and the Primacy of the Image Rebecca P. Brienen Part 4 Durer and the Power of Pictures 19 Durer's Rhinoceros Underway: the Epistemology of the Copy in the Early Modern Print Stephanie Leitch 20 Praying against Pox: New Reflections on Durer's Jabach Altarpiece Birgit Ulrike Munch 21 The Weird Sisters of Hans Baldung Grien Bonnie Noble 22 Preserving Destruction: Albrecht Altdorfer's Etchings of the Regensburg Synagogue as Material Performances of the Past and Future Ashley D. West 23 The Case of the Missing Gold Disc: A Crucifixion by Albrecht Durer Miya Tokumitsu 24 Hitler's Durer? The Nuremberg Painter between Self-Portrayal and National Appropriation Thomas Schauerte 25 Performing Durer: Staging the Artist in the Nineteenth Century Jeffrey Chipps Smith Part 5 Prints and Printmaking 26 The Burin, the Blade, and the Paper's Edge: Early Sixteenth-Century Engraved Scabbard Designs by Monogrammist AC Brooks Rich 27 "Return to Your True Self!" Practicing Spiritual Therapy with the Spiegel der Vernunft in Munich Mitchell B. Merback 28 The Eucharistic Controversy and Daniel Hopfer's Tabernacle for the Holy Sacrament Freyda Spira 29 Recalibrating Witchcraft through Recycling and Collage: The Case of a Late Seventeenth-Century Anonymous Print Charles Zika 30 The Timeless Space of Maerten van Heemskerck's Panoramas: Viewing Ruth and Boaz (1550) Arthur DiFuria 31 Hendrick Goltzius's Method of Exegetical Allegory in his Scriptural Prints of the 1570s Walter S. Melion 32 Narrative, Ornament, and Politics in Maerten van Heemskerck's Story of Esther (1564) Shelley Perlove 33 Disgust and Desire: Responses to Rembrandt's Nudes Stephanie S. Dickey Part 6 Seventeenth-Century Painting 34 A New Painting by Dirck van Baburen Wayne Franits 35 "Verbum Domini manet in eternum": Devotional Cabinets and Kunst- und Wunderkammern around 1600 James Clifton 36 Creating Attributability with the Five Senses of Jan Brueghel the Younger Hans J. Van Miegroet 37 Pieter Lastman's Paintings of David's Death Sentence for Uriah, 1611 and 1619 Amy Golahny 38 Thomas de Keyser's Venus Lamenting the Death of Adonis Ann Jensen Adams 39 On Painting the Unfathomable: Rubens and The Banquet of Tereus Aneta Georgievska-Shine 40 Jan Miense Molenaer's Boys with Dwarfs and the Heroic Tradition of Art David A. Levine 41 Is it a Rembrandt? Catherine B. Scallen 42 Pieter Codde and the Industry of Copies in 17th-century Dutch Painting Jochai Rosen Appendix: Larry Silver Bibliography Index

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