Music : an appreciation

著者

書誌事項

Music : an appreciation

Roger Kamien, Anita Kamien

McGraw-Hill Education, c2018

12th ed

大学図書館所蔵 件 / 1

この図書・雑誌をさがす

注記

Includes bibliographical references and index

内容説明・目次

内容説明

McGraw-Hill is revolutionizing the Music Appreciation course by introducing its first personalized digital learning experience with Roger Kamien's Music: An Appreciation. Using this market-leading instrument that brings great music to the course in more ways than ever before, students are now transformed into active participants in the Music Appreciation space. The result is active listening, active reading, and active learning. Connect is the only integrated learning system that empowers students by continuously adapting to deliver precisely what they need, when they need it, so that your class time is more engaging and effective. It provides tools that make assessment easier, learning more engaging, and studying more efficient.

目次

Preface Part I Elements 1. Sound: Pitch, Dynamics, and Tone Color 2. Performing Media: Voices and Instruments 3. Rhythm 4. Music Notation 5. Melody 6. Harmony 7. Key 8. Musical Texture 9. Musical Form 10. Performance 11. Musical Style Part II The Middle Ages 1. Music In The Middle Ages (450-1450) 2. Gregorian Chant 3. Secular Music in the Midde Ages 4. The Development of Polyphony: Organum 5. Fourteenth -Century Music: The "New Art" in Italy and France Part III The Renaissance 1. Music in the Renaissance (1450 - 1600) 2. Sacred Music in the Renaissance 3. Secular Music in the Renaissance 4. The Venetian School: From Renaissance to Baroque Part IV The Baroque Period 1. Baroque Music (1600-1750) 2. Music In Baroque Society 3. The Concerto Grosso And Ritornello Form 4. The Fugue 5. The Elements Of Opera 6. Opera In The Baroque Era 7. Claudio Monteverdi 8. Henry Purcell 9. The Baroque Sonata 10. Arcangelo Corelli 11. Antonio Vivaldi 12. Johann Sebastian Bach13. The Baroque Suite 14. The Chorale And Church Cantata 15. The Oratorio 16. George Frideric Handel Part V The Classical Period 1. The Classical Style (1750-1820) 2. Composer, Patron, And Public In The Classical Period 3. Sonata Form 4. Theme And Variations 5. Minuet And Trio 6. Rondo 7. The Classical Symphony 8. The Classical Concerto 9. Classical Chamber Music 10. Joseph Hadyn 11. Wolfgang Amadeus Mozart 12. Ludwig Van Beethoven Part VI The Romantic Period1. Romanticism In Music (1820-1900) 2. Romantic Composers And Their Public 3. The Art Song 4. Franz Schubert 5. Robert Schumann 6. Clara Wieck Schumann 7. Frederic Chopin 8. Franz Liszt 9. Felix Mendelssohn 10. Program Music 11. Hector Berlioz 12. Nationalism In Nineteenth-Century Music 13. Peter Ilyich Tchaikovsky 14. Bed rich Smetana 15. Antonin Dvorak 16. Johannes Brahms 17. Georges Bizet 18. Giuseppe Verdi 19. Giacomo Puccini 20. Richard Wagner 21. Gustav Mahler Part VII The Twentieth Century 1. Musical Styles: 1900-19452. Music and Musicians in Society since 1900 3. Impressionism and Symbolism 4. Claude Debussy 5. Maurice Ravel 6. Neoclassicism 7. Igor Stravinsky 8. Expressionism 9. Arnold Schoenberg 10. Alban Berg 11. Anton Webern 12. Bela Bartok 13. Dmitri Shostakovich 14. Music in America 15. Charles Ives 16. George Gershwin 17. William Grant Still 18. Aaron Copland 19. Albert Ginestera 20. Musical Styles Since 1945 21. Music Since 1945: Five Representative Pieces Part VIII Jazz 1. Jazz Styles 2. Ragtime 3. Blue 4. New Orleans Style 5. Swing 6. Bebop 7. Jazz Styles since 1950 Part IX Music for Stage and Screen1. Musical Theater 2. Leonard Bernstein 3. Music in Film Part X Rock 1. Rock Styles 2. Rock in American Society 3. The Beatles Part XI Nonwestern Music 1. Music in Nonwestern Cultures 2. Music In Sub-Saharan Africa 3. Classical Music Of India 4. Koto Music of Japan

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詳細情報

  • NII書誌ID(NCID)
    BB25082709
  • ISBN
    • 9781259892707
  • LCCN
    2016050771
  • 出版国コード
    us
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    New York, N.Y.
  • ページ数/冊数
    xxxiii, 600 p.
  • 大きさ
    29 cm
  • 分類
  • 件名
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