Floating threads : Indonesian songket and similar weaving traditions
Author(s)
Bibliographic Information
Floating threads : Indonesian songket and similar weaving traditions
Sriwijaya Pustaka, 2015
1st ed
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 288-292) and index
Description and Table of Contents
Description
Floating Threads represents an attempt to catalogue float weave techniques used to decorate Batik cloth throughout the archipelago and hints at possible lines of distribution. Being a coffee-table book, photographs are an important part of the story. Our main sources for photography have been collections in Indonesia's own provincial museums and the National Museum of Indonesia with gaps filled by local collectors and foreign museums when not available in Indonesia. Unfortunately, Indonesia's provincial museums were established after 1950, when specimens of some textiles were no longer available in the country, the prime examples of this being the pinatikan of North Sulawesi and the Kalumpang (West Sulawesi) textiles featured in Chapter Two.
The photographed textiles cover the 19th century to the present, complementing the text which reaches into the distant past and includes recent experimentations, for contemporary fabrics are as important as historical weavings to the continuation of Indonesia's precious textile traditions. Modernization is the only way to keep weavers interested in plying their trade, stimulated by the popularity of their products. New forms will always arise to replace old styles that have fallen out of favor, but there will always be a weaver or two who will go beyond craft-production to the level of fine art, as the reader will see in this book.
The discussion has been expanded with technical details of specific weaves by the Japanese scholar Keiko Kusakabe, a PhD candidate who has been trekking through the difficult terrain of West and northern South Sulawesi for over a decade in her quest for information on traditional textile production techniques in the region. Keiko keeps these techniques alive by teaching them to her students in Japan.
by "Nielsen BookData"