The musicology of record production
著者
書誌事項
The musicology of record production
Cambridge University Press, 2016
- : pbk
大学図書館所蔵 件 / 全3件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
First published, in hardback: 2014
Includes bibliography, discography, filmography, and index
内容説明・目次
内容説明
Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.
目次
- 1. Introduction
- 2. Why study record production?
- 3. How should we study record production?
- Theoretical interlude 1
- 4. Sonic cartoons
- 5. Staging
- Theoretical interlude 2
- 6. The development of audio technology
- 7. Using technology
- Theoretical interlude 3
- 8. Training, communication and practice
- 9. Performance in the studio
- Theoretical interlude 4
- 10. Aesthetics and consumer influence
- 11. The business of record production
- Afterword.
「Nielsen BookData」 より