Nineteenth-century music criticism
Author(s)
Bibliographic Information
Nineteenth-century music criticism
（Music, criticism & politics, v. 3）
Brepols, 2017
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Note
Product of an international conference organized by the Centro Studi Opera Omnia Luigi Boccherini and Palazzetto Bru Zane in Lucca, Italy in 2015
Includes bibliographical references and indexes
Contents of Works
- Music criticism, speech acts, and generic contracts / Katharine Ellis
- Barnun et les Romaine : critique, claque et réclame dans les 'Soirées de l'orchestre' d'Hector Berloiz / Guillaume Bordry
- A critic's progress : Émile-Mathieu de Monter's musical reporting of the Paris 1867 and 1878 Exposition Universelles for the 'Revue et Gazette musicale de Paris' / Sylvia Kahan
- London's Italian opera as a topic of interest to international nineteenth-century music criticism / Ingeborg Zechner
- Speaking for whom? using opera reviews from Strasbourge (1887-1918) to clarify the problematical source character of music criticism / Jeroen van Gessel
- Graphic humour as musical criticism : cartoon and caricature in the first Wagnerian reception in Madrid / José Ignacio Suárez García
- The music in the theatres of Rio de Janiero (1890-1900) : concert series, music critcism and conflicting cultural projects in the early years of the republic / Mónica Vermes
- The power of music criticism in the shaping of modern Uruguay: an analysis of the newspaper 'Montevideo Musical' / Marita Fornaro Bordolli
- The cultural biography of a musical periodical : 'Boletín Musical' (Buenos Aires, 1837) / Melanie Plesch
- Nativist rhetoric in the opera journalism on Antebellum New York City / Erin Fulton
- 1813, Vienna, and a re-print of the 'AmZ' : notes on intertexuality in German music media around 1800 / Marc Ernesti
- The string quartet in early nineteenth-century performance and criticism / Nancy November
- Beethoven e Mendelssohn nel pensiero di Adolf Bernard Marx / Maria Teresa Arfini
- "La musica non imita e non esprime che lo stesso sentimento in persona" : per una (mancata) teoria musicale leopardiana / Renato Ricco
- Fallen angels of music : subjectivity inearly 19th-century philosophy and the reception of virtuosity in contemporary music criticism / Žarko Cvejic
- 'Absolute' philosophy? gender, nationalism, and Jewishness in Eduard Hanslick's formalism / Michael B. Ward
- Manuel de Falla at war : on race, sound, and new music / Teresa Cascudo García-Villaraco
- "Les plaisirs de l'imagination sont les seuls réels" : Gétry's writings and the expansion of critical thought at the beginning of the nineteenth century / R.J. Arnold
- Composer-critic and "Intimitable creators" : E.T.A. Hoffmann, W.A. Mozart, and the genesis of German romantic opera / Diau-Long Shen
- Critical responses to nineteenth-century music criticism : Johanna Kinkel's 'Trinkleider' and her later lieder collections / Anja Bunzel
- Richard Wagner et 'La Reine de Chypre de Fromental Halévy (Paris, 1841) : la critique musicale comme réflexion esthétique capitale / Yaël Hêche
- Richard Wagners offener brief über Franz Liszts Symphonische Dichtungen (1857) and die komposition von 'Tristan und Isolde' / Rainer Kleinertz
