Nineteenth-century music criticism

著者

    • Cascudo García-Villaraco, Teresa

書誌事項

Nineteenth-century music criticism

edited by Teresa Cascudo García-Villaraco

（Music, criticism & politics, v. 3）

Brepols, 2017

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注記

Product of an international conference organized by the Centro Studi Opera Omnia Luigi Boccherini and Palazzetto Bru Zane in Lucca, Italy in 2015

Includes bibliographical references and indexes

収録内容

  • Music criticism, speech acts, and generic contracts / Katharine Ellis
  • Barnun et les Romaine : critique, claque et réclame dans les 'Soirées de l'orchestre' d'Hector Berloiz / Guillaume Bordry
  • A critic's progress : Émile-Mathieu de Monter's musical reporting of the Paris 1867 and 1878 Exposition Universelles for the 'Revue et Gazette musicale de Paris' / Sylvia Kahan
  • London's Italian opera as a topic of interest to international nineteenth-century music criticism / Ingeborg Zechner
  • Speaking for whom? using opera reviews from Strasbourge (1887-1918) to clarify the problematical source character of music criticism / Jeroen van Gessel
  • Graphic humour as musical criticism : cartoon and caricature in the first Wagnerian reception in Madrid / José Ignacio Suárez García
  • The music in the theatres of Rio de Janiero (1890-1900) : concert series, music critcism and conflicting cultural projects in the early years of the republic / Mónica Vermes
  • The power of music criticism in the shaping of modern Uruguay: an analysis of the newspaper 'Montevideo Musical' / Marita Fornaro Bordolli
  • The cultural biography of a musical periodical : 'Boletín Musical' (Buenos Aires, 1837) / Melanie Plesch
  • Nativist rhetoric in the opera journalism on Antebellum New York City / Erin Fulton
  • 1813, Vienna, and a re-print of the 'AmZ' : notes on intertexuality in German music media around 1800 / Marc Ernesti
  • The string quartet in early nineteenth-century performance and criticism / Nancy November
  • Beethoven e Mendelssohn nel pensiero di Adolf Bernard Marx / Maria Teresa Arfini
  • "La musica non imita e non esprime che lo stesso sentimento in persona" : per una (mancata) teoria musicale leopardiana / Renato Ricco
  • Fallen angels of music : subjectivity inearly 19th-century philosophy and the reception of virtuosity in contemporary music criticism / Žarko Cvejic
  • 'Absolute' philosophy? gender, nationalism, and Jewishness in Eduard Hanslick's formalism / Michael B. Ward
  • Manuel de Falla at war : on race, sound, and new music / Teresa Cascudo García-Villaraco
  • "Les plaisirs de l'imagination sont les seuls réels" : Gétry's writings and the expansion of critical thought at the beginning of the nineteenth century / R.J. Arnold
  • Composer-critic and "Intimitable creators" : E.T.A. Hoffmann, W.A. Mozart, and the genesis of German romantic opera / Diau-Long Shen
  • Critical responses to nineteenth-century music criticism : Johanna Kinkel's 'Trinkleider' and her later lieder collections / Anja Bunzel
  • Richard Wagner et 'La Reine de Chypre de Fromental Halévy (Paris, 1841) : la critique musicale comme réflexion esthétique capitale / Yaël Hêche
  • Richard Wagners offener brief über Franz Liszts Symphonische Dichtungen (1857) and die komposition von 'Tristan und Isolde' / Rainer Kleinertz

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