The power of laughter and satire in early modern Britain : political and religious culture, 1500-1820

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The power of laughter and satire in early modern Britain : political and religious culture, 1500-1820

edited by Mark Knights and Adam Morton

The Boydell Press, 2017

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注記

Includes bibliographical references (p. [211]-236) and index

"This volume grew out of a conference--'Laughter and Satire in Europe 1500-1800'--held at the University of Warwick, Palazzo Pesaro-Papafava 26-27 May 2014"--Acknowledgements

内容説明・目次

内容説明

Leading scholars show how laughter and satire in early modern Britain functioned in a variety of contexts both to affirm communal boundaries and to undermine them. This interdisciplinary collection considers the related topics of satire and laughter in early modern Britain through a series of case studies ranging from the anti-monastic polemics of the early Reformation to the satirical invasion prints of the Napoleonic wars. Moving beyond the traditional literary canon to investigate printed material of all kinds, both textual and visual, it considers satire as a mode or attitude rather than a literary genre and is distinctive in its combination of broad historial range and thick description of individual instances. Within an over-arching investigation of the dual role of laughter and satire as a defence of communal values and as a challenge to political, religious and social constructions of authority, the individual chapters by leading scholars provide richly contextualised studies of the uses of laughter and satire in various settings - religious, political, theatrical and literary. Drawing on some unfamiliar and intriguing source material and on recent work on the history of the emotions, the contributors consider not just the texts themselves but their effect on their audiences, andchart both the changing use of humour and satire across the whole early modern period and, importantly, the less often noticed strands of continuity, for instance in the persistence of religious tropes throughout the period. MARK KNIGHTS is Professor of History at the University of Warwick. ADAM MORTON is Lecturer in the History of Britain at the University of Newcastle. Contributors: ANDREW BENJAMIN BRICKER, MARK KNIGHTS, FIONA MCCALL, ANDREW MCRAE, ADAM MORTON, SOPHIE MURRAY, ROBERT PHIDDIAN, MARK PHILP, CATHY SHRANK.

目次

Introduction: Laughter and Satire in Early Modern Britain 1500-1800 Dissolving into Laughter: Anti-Monastic Satire in the Reign of Henry VIII - Sophie Murray Mocking or Mirthful? Laughter in early modern dialogue - Cathy Shrank Farting in the House of Commons: Popular Humour and Political Discourse in early modern England - Andrew McRae Continuing civil war by other means: royalist mockery of the interregnum church - Fiona McCall Laughter as a Polemical Act in late Seventeenth Century England - Adam Morton Spectacular opposition: Suppression, deflection and the performance of contempt in John Gay's Beggar's Opera and Polly - Robert Phiddian 'Laughing a Folly out of Countenance': Laughter and the Limits of Reform in Eighteenth-Century Satire - Andrew Bricker Nervous Laughter and the Invasion of Britain 1797-1805 - Mark Philp 'Was a laugh treason?' Corruption, Satire, Parody and the Press in early modern Britain - Mark Knights

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