Performance in a militarized culture

Author(s)
Bibliographic Information

Performance in a militarized culture

edited by Sara Brady and Lindsey Mantoan

Routledge, 2018

  • : hardback
  • : pbk

Search this Book/Journal
Note

Includes bibliographical references and index

Description and Table of Contents

Description

The long cultural moment that arose in the wake of 9/11 and the conflict in the Middle East has fostered a global wave of surveillance and counterinsurgency. Performance in a Militarized Culture explores the ways in which we experience this new status quo. Addressing the most commonplace of everyday interactions, from mobile phone calls to traffic cameras, this edited collection considers: How militarization appropriates and deploys performance techniques How performing arts practices can confront militarization The long and complex history of militarization How the war on terror has transformed into a values system that prioritizes the military The ways in which performance can be used to secure and maintain power across social strata Performance in a Militarized Culture draws on performances from North, Central, and South America; Europe; the Middle East; and Asia to chronicle a range of experience: from those who live under a daily threat of terrorism, to others who live with a distant, imagined fear of such danger.

Table of Contents

Preface Sarah Bay-Cheng Performance in the Age of Intelligent Warfare Introduction Sara Brady Lindsey Mantoan In the Absence of the Gun: Performing Militarization I. Sites of Conflict Katherine Zien Mises-en-scene of Militarization: Decommissioning US Military Infrastructure in the Panama Canal Zone Alexis Bushnell Justine Nakase Military Aid: The Spatial Performances and Performativity of Contemporary Refugee Camps Eylul Fidan Akinci Sacred Children, Accursed Mothers: Performativities of Necropolitics and Mourning in Neoliberal Turkey Elin Nicholson The Freedom Theatre and Cultural Resistance in Jenin, Palestine Bart Pitchford Tactical Performance Across a Revolutionary Timeline II. Militarized History and Memory Aine Sheil How to Do Things with Music Criticism: Performances of Victory in German Wagner Reception, 1918-1933 Susanne Shawyer "Stop the War in Chicago Please": Performative Protest and the Limits of Dissensus Jessica Nakamura Choreographies of Militarized Space: US Military Bases, Everyday Life, and Performance in Okinawa, Japan Solveig Gade Reviving the Tradition of the Battle Painting: The Militarization of Danish Culture III. Performing the Soldier tyler boudreau Soldier Street Theatre Lindsey Mantoan No Easy Mission: Zero Dark Thirty and Gendered Heroism in the Post-Heroic Age Sarah Beck Going Outside the Wire: Service Members as Documentary Subjects in Black Watch and ReEntry Cami Rowe Challenging the Characterizations of Military Service: A Critical Comparison of British and American Counter-Recruitment Efforts Michael St. Clair Strategic Simulation and the American Military Imaginary Scott Magelssen Performing Flight: Test Pilots, Commercial Airlines, and the Cold War IV. The Militarization of the Everyday Lindsay Adamson Livingston Picking Up the Gun: Spectacular Performances of Firearm Ownership in the Long Civil Rights Movement Emily Klein Failure to Adapt: Affect, Apathy, and Doomed Reenactments in American Theatre's Militarized Dystopias Asher Warren Weaponized Bureaucracy: Kill-Chains, Drones, and Tethers Jacqueline Viskup Re-staging Surveillance Tragedy as Critical Resistance Kashif Jerome Powell The Time to Break (Silence): Disavowing the Affects of Militarization and Death through the Performance of Black Existence Afterword Wendy S. Hesford Constitutive Performance: Human Rights in a Militarized Culture

by "Nielsen BookData"

Details
Page Top