Composition, creative writing studies, and the digital humanities
著者
書誌事項
Composition, creative writing studies, and the digital humanities
Bloomsbury Academic, 2017
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注記
Includes bibliographical references (p. [139]-144) and index
内容説明・目次
内容説明
In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice.
Composition, Creative Writing Studies and the Digital Humanities is the first book to bring these three fields together to open up new opportunities and directions for creative writing studies. Placing the rise of Creative Writing Studies alongside the rise of the digital humanities in Composition/Rhetoric, Adam Koehler shows that the use of new media and its attendant re-evaluation of fundamental assumptions in the field stands to guide Creative Writing Studies into a new era. Covering current developments in composition and the digital humanities, this book re-examines established assumptions about process, genre, authority/authorship and pedagogical practice in the creative writing classroom.
目次
Acknowledgements
Foreword
Introduction
Chapter 1. Digital Pasts: On Composition, Creative Writing, and Emerging Technologies
Chapter 2. Defining Digital Creative Writing Studies
Chapter 3. Ideology, Subjectivity, and the Creative Writer in the Digital Age
Chapter 4. Process, Genre, and Technologizing the Word
Chapter 5. Fenceless Neighbors: On Composition, Creative Writing, and Emerging Institutional Practices
Notes
Works Cited and Consulted
Index
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