Frank Holl : emerging from the shadows

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書誌事項

Frank Holl : emerging from the shadows

Mark Bills ; with contributions by Peter Funnell ... [et al.]

Philip Wilson Publishers in association with Watts Gallery , Palgrave Mcmillan [distributor], c2013

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注記

Exhibition catalogue

Other contributors: Barbara Bryant, Jane Sellars, Sophie Gilmartin, Philip McEvansoneya, Mary McMahon, Carol Blackett-Ord

Distributed in the United States and Canada exclusively by Palgrave Mcmillan

Published on the occasion of the exhibition held at Watts Gallery, 18 June - 3 November, 2013 and at Mercer Art Gallery, Harrogate, 23 November, 2013 - 30 March, 2014

Includes bibliographical references and index

Summary: Francis 'Frank' Montague Holl (1845-1888) was one of the great painters of the Victorian era, notable for his tragic social realism as well as his penetrating portraits. Although highly respected in his lifetime, his early death meant that he never fully received the acclaim that his work merited. His great subject pictures, often on bleak themes, were frequently criticized for their darkness but found great favor with the public. His portraits can be seen on a par with those of Watts and Millais, and he was an influence on Van Gogh who greatly admired his work. This book represents the first retrospective of this significant artist. Exploring in parallel the subject paintings and the portraits, it considers the importance of Holl's output and his continued relevance today

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内容説明・目次

内容説明

The first retrospective of artist Francis 'Frank' Montague Holl, one of the great painters of the Victorian era. Francis 'Frank' Montague Holl (1845-1888) was notable for his tragic social realism as well as his penetrating portraits. Although highly respected in his lifetime, his early death meant that he never fully received the acclaim that his work merited. Holl was a prodigiously talented artist who entered the the Royal Academy Schools at the age of fifteen, where he won a gold medal for religious painting in 1863. A year later, two of his paintings were accepted for exhibition at the Royal Academy where he showed work regularly until his death. He was also commissioned by Queen Victoria to paint No Tidings from the Sea. Holl became part of an informal school of social-realist painting that flourished during the 1870s. Its aim was to draw attention to the everyday conditions of the working classes and the poor, and to implicitly criticise the social structures that maintained such conditions. His great subject pictures, often on bleak themes, were frequently criticised for their darkness but found great favour with the public, who empathised with his depictions. Funeral processions, child mortality and grief were very much part of life and his emotive images struck a chord with his audience. In 1879, when Holl exhibited a portrait of the engraver Samuel Cousins at the Royal Academy, it created a sensation. In the nine years of life that remained he painted over 150 portraits: some of the greatest of his age-achievements which can be seen on a par with those of Watts and Millais. His influence was felt in his lifetime and later through the work of Van Gogh, who greatly admired Holl. Exploring in parallel the subject paintings and he portraits, this book considers the importance of Holl's output and his continued relevance today. Leading scholars in the field look at different aspects of Holl's painting, while full catalogue entries examine certain works in detail.

目次

Acknowledgements Foreword Preface Lenders, Sponsors and Donors Chronology 'Death and substance differ but in name' : The Subject Paintings of Frank Holl- Mark Bills Frank Holl: Portraits and the 'Modern Englishman'- Peter Funnell The Private and Pul=blic Life of Frank Holl: The Journey from Camden Town to Hampstead and Surrey-Barbara Bryant A Daughter's Story: Frank Holl and Women- Jane Sellars Frank Holl and 'The Graphic' : Sketching London's Labour in Light and Dark- Sophie Gilmartin Catalogue References Contributors Index

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