Michelangelo & Sebastiano
著者
書誌事項
Michelangelo & Sebastiano
National Gallery Company, 2017
- : hb
- タイトル別名
-
Michelangelo and Sebastiano
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
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注記
Exhibition catalogue
Published to accompany the exhibition Michelangelo & Sebastiano, held at the National Gallery, London, Mar. 15-June 25, 2017
Other contributors: Piers Baker-Bates, Silvia Danesi Squarzina, Minna Moore Ede, Jennifer Sliwka, Allison Goudie
Includes bibliographical references (p. 256-265) and index
収録内容
- A meeting of minds : the extraordinary artistic partnership of Michelangelo and Sebastiano / Matthias Wivel
- Agostino Chigi : Sebastiano's first Roman patron / Costanza Barbieri
- The infancy, passion and resurrection of Christ in Michelangelo / Timothy Verdon
- Sacra Vigilia : an Augustinian interpretation of the Viterbo Pietà / Costanza Barbieri
- A painting little less than eternal / Piers Baker-Bates
内容説明・目次
内容説明
The first publication to consider the relationship between these two major artists of the High Renaissance
Through most of Michelangelo's working life, one of his closest colleagues was the great Venetian painter Sebastiano del Piombo (1485 -1541). The two men met in Rome in 1511, shortly after Sebastiano's arrival from his native city, and while Michelangelo was based in Florence from 1516 to 1534 Sebastiano remained one of his Roman confidants, painting several works after partial designs by him. This landmark publication is about the artists' extraordinary professional alliance and the friendship that underpinned it. It situates them in the dramatic context of their time, tracing their evolving artistic relationship through more than three decades of creative dialogue.
Matthias Wivel and other leading scholars investigate Michelangelo's profound influence on Sebastiano and the Venetian artist's highly original interpretation of his friend's formal and thematic concerns. The lavishly illustrated text examines their shared preoccupation with the depiction of death and resurrection, primarily in the life of Christ, through a close analysis of drawings, paintings, and sculpture. The book also brings the austerely beautiful work of Sebastiano to a new audience, offering a reappraisal of this less famous but most accomplished artist.
Published by National Gallery Company/Distributed by Yale University Press
Exhibition Schedule:
The National Gallery, London
(03/15/17-06/25/17)
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