Conflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150

著者

    • Mathews, Karen Rose

書誌事項

Conflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150

by Karen Rose Mathews

（The medieval Mediterranean : peoples, economies and cultures, 400-1453 / editors, Michael Whitby ... [et al.], v. 112）

Brill, c2018

  • : hardback

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注記

Includes bibliographical references (p. [197]-228) and index

内容説明・目次

内容説明

In Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150, Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries.

目次

Acknowledgments List of Illustrations Introduction: Visualizing Commerce and Conflict in the Maritime Cities of Medieval Italy Conflict and Commerce in the Medieval Mediterranean Visualizing the Relationship between Trade and Conflict Through an Aesthetic of Appropriation 1 Local Traditions and Norman Innovations in the Artistic Culture of Southern Italy Introduction Local Traders and Norman Warriors in Southern Italy Forging an Amalfitan International Style: The Art Patronage of the Local Elite Norman Architectural Patronage and the Spolia Aesthetic 2 Emulation of and Appropriation from Byzantium in Venetian Visual Culture Introduction Conflict, Trade, and the Venetian Presence in the Eastern Mediterranean Appropriated Relics from Byzantium Relics, Spoils, and Spolia in Venetian Art and Architecture 3 The Interplay of Islamic and Ancient Roman Spolia on Pisan Churches Introduction Commerce and Conflict in Eleventh and Twelfth-century Pisa The Signification of Ancient and Contemporary Muslim Spoils onPisan Churches 4 Rivalry with Pisa and Spolia as Plunder of War in Medieval Genoa Introduction Crusade Campaigns and Commercial Compensation Spolia as Plunder in the Art and Architecture of Genoa The Aesthetic of Appropriation and Competition with Pisa Conclusion: Shifting Significations of the Spolia Aesthetic Select Bibliography Primary Sources Secondary Sources

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