Taiwan cinema : international reception and social change
著者
書誌事項
Taiwan cinema : international reception and social change
(RoutledgeCurzon media, culture and social change in Asia / series editor, Stephanie Hemelryk Donald)
Routledge, 2017
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references, filmography and index
内容説明・目次
内容説明
The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.
目次
1. From Taiwan New Cinema to Post-New Cinema: An Introduction, Kuei-fen Chiu
Part I: International Reception and Taiwan Cinema
2. Taiwan Cinema across the Globe: A Brazilian Perspective
3. Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng
4. Taiwan Cinema at the Venice Film Festival: From Cultural Discovery to Cultural Diplomacy
5. Contesting the National, Labelling the Renaissance: Exhibiting Taiwan Cinema at Film Festivals in Japan since the 1980s
6. Programming Taiwan Cinema: A View from the International Film Festival Circuit
7. Interventions on Cultural Margins: The Case of the Chinese Film Forum UK and the Presence of Taiwan Cinema in the UK
Part II: Taiwan Cinema and Social Change
8. Becoming a Nation: The Shaping of Taiwan's Native Consciousness in Wei Te-sheng's Post-Millennium Films
9. Imagine There's No China: Wei Te-sheng and Taiwan's 'Japan Complex'
10. Kano and Taiwanese Baseball: Playing with Transregionality and Postcoloniality
11. Seediq Bale as History
12. Violence and Indigenous Visual History: Interventional Historiography in Seediq Bale and Wushe, Chuanzhong Island
13. Archiving an Historical Incident: The Making of Seediq Bale as a Socio-Political Event
14. Mona Rudao's Scar: Two Kinds of Epic Identity in Seediq Bale
Part III: Interview and Supplement
15. A Conversation with Taiwanese Filmmaker Wei Te-sheng
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