Jazz worlds/world jazz
Author(s)
Bibliographic Information
Jazz worlds/world jazz
（Chicago studies in ethnomusicology）
University of Chicago Press, 2016
- : pbk
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Note
Includes bibliographical references and index
Contents of Works
- Foreword: who is jazz? / George E. Lewis
- Jazz and the politics of home in Scandinavia / Fabian Holt
- Swinging in Balkan mode : on the innovative approach of Milcho Leviev / Claire Levy
- Azerbaijani Mugham jazz / Inna Naroditskaya
- Jazz and its social meanings in Iran : from cultural colonialism to the universal / Laudan Nooshin
- Jazz at the edge of empire / Philip V. Bohlman
- That Gypsy in France : Django Reinhardt's occupation blouze / Andy Fry
- Jazz, race, and politics in colonial Portugal : discourses and representations / Pedro Roxo and Salwa El-Shawan Castelo-Branco
- Traveling music : Mulatu Astatke and the genesis of Ethiopian jazz / Kay Kaufman Shelemay
- The medium is the message? : jazz diplomacy and the democratic imagination / Richard C. Jankowsky
- Musical echoes : diasporic listening and the creation of a world of South African jazz / Carol Ann Muller
- Jazz Napoletano : a passion for improvisation / Goffredo Plastino
- In search of compatible virtuosities : floating point and fusion in India / Niko Higgins
- Improvising diasporan identities : Armenian jazz / Anahid Kassabian
- Culture, commodity, palimpsest : locating jazz in the world / Travis A. Jackson
- A world(ly) jazz autonomy : Hazel Scott and Hollywood's racial-musical matrix / Kristin McGee
- Black music's body politics / Ronald Radano
- Epilogue: jazz: music of the multitude? / Richard Middleton
Description and Table of Contents
Description
Many regard jazz as the soundtrack of America, born and raised in its cities and echoing throughout its tumultuous century of progress. So when Ernest Hemingway wrote about seeing jazz in 1920s Paris, and when British colonial officials danced to jazz in the clubs of Calcutta in the waning years of the Raj, how, exactly, had it gotten there? Jazz Worlds/World Jazz aims to answer these questions and more, bringing together voices from countries as far flung as Azerbaijan, Armenia, and India to show that the story of jazz is not trapped in American history books but alive in global modernity.
Monumental in scope, this book explores the relationship between jazz and culture and how they influence each other across a range of themes and settings. Contributors offer an analysis of the social meaning of jazz in Iran, a look at the genesis of Ethiopian jazz and at Indian fusion, and chapters on jazz diplomacy, Balkan swing, and that French export par excellence: Django Reinhardt. Altogether the contributors approach jazz-in these global iterations-through the themes that have always characterized it at home: place, history, mobility, media, and race. The result is a first-of-its-kind map of jazz around the globe that pays tribute to the players who have given the form its seemingly infinite possibilities.
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