Turkic soundscapes : from shamanic voices to hip-hop
著者
書誌事項
Turkic soundscapes : from shamanic voices to hip-hop
(SOAS musicology series)(An Ashgate book)
Routledge, 2018
- : hbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references(p. [231]-250) and index
内容説明・目次
内容説明
The Turkic soundscape is both geographically huge and culturally diverse (twenty-eight countries, republics and districts extending from Eastern Europe through the Caucasus and throughout Central Asia). Although the Turkic peoples of the world can trace their linguistic and genetic ancestries to common sources, their extensive geographical dispersion and widely varying historical and political experiences have generated a range of different expressive music forms. In addition, the break-up of the Soviet Union and increasing globalization have resulted in the emergence of new viewpoints on classical and folk traditions, Turkic versions of globalized popular culture, and re-workings of folk and religious practices to fit new social needs. In line with the opening up of many Turkic regions in the post-Soviet era, awareness of scholarship from these regions has also increased. Consisting of twelve individual contributions that reflect the geographical breadth of the area under study, the collection addresses animist and Islamic religious songs; the historical development of Turkic musical instruments; ethnography and analysis of classical court music traditions; cross-cultural influences throughout the Turkic world; music and mass media; and popular music in traditional contexts. The result is a well-balanced survey of music in the Turkic-speaking world, representing folk, popular and classical traditions equally, as well as discussing how these traditions have changed in response to growing modernity and cosmopolitanism in Europe and Central Asia.
目次
1. "Introduction: In Search of Turkic Musical Cultures" Razia Sultanova Part 1 - Cultural foundations in music of the 21st century 2. "The Concept of Makam-based Melody and Its Problematic in Musical Analysis" Okan Murat OEzturk 3. "The Pedagogical System of Azerbaijani Master Musician Bahram Mansurov (1911-1985)" Violetta Yunusova 4. "From popular tradition to Pop diffusion: Jahri zikr Among Teenagers in Present-day Kazakhstan" Giovanni de Zorzi Part 2 - Turkic music in popular culture and mass media 5. "Azerbaijani Rap Music and Oral Poetry Between 'the Folk' and 'the Popular'" Thomas Solomon 6. "Mass Music in Kazakhstan: The Phenomenon and its Interpretation" Gulnar Abdirakhman 7. "Music Images of Istanbul From Fatih Akin's Films and Stage Performances" Ivanka Vlaeva Part 3 - Cross-cultural encounters in the Turkic-speaking world and beyond 8. "From the Spiritual to the Profane and Back - Religious Melodies and Folksongs of Turkic Peoples" Janos Sipos 9. "The Circumpontic Lezginka Dance as a Cultural Phenomenon" Alla Sokolova 10. The Impact of Turkic Musical Culture on the Music of Bulgaria" Timothy Rice Part 4 - Turkic music and national identities 11. "Debating 'national ownership' of musical instruments: the balalaika as a subject of ethnopolitical discourse" Ulrich Morgenstern 12. "New Music of the Crimean Tatars: History and Current Status" Abdullah Akat 13. "Ancient Roots, Modern Nation-Building: Kazakh Spirituality and Identity in the Music of the Turan Ensemble" Megan Rancier
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