Japanese art

著者

• Pitelka, Morgan

書誌事項

Japanese art

edited by Morgan Pitelka

（Critical and primary sources）

Bloomsbury Academic, An imprint of Bloomsbury Publishing Plc, 2018

• : set
• v. 1 : hb
• v. 2 : hb
• v. 3 : hb
• v. 4 : hb

注記

Includes bibliographical references

Vol. 1: Material cultures -- v. 2: Visual cultures -- v. 3: Printed matter -- v. 4: Sites and patrons, knowledge and power

内容説明・目次

内容説明

Japanese Art: Critical and Primary Sources is a four-volume reference work offering a critical overview of the history and culture of Japanese art. Drawing upon a wide range of English-language texts, the volumes explore the diverse and changing material and visual cultures of Japan from the pre-modern period to the present day. Over 75 essays from Asia, North America and Europe are assembled in this set and they address four major themes - material cultures (Buddhist objects, ceramics, textiles, interiors), visual cultures (painting, calligraphy, photography), printed matter (wood-block prints, books) and the context for Japan's art history (networks of patronage, sites of artistic production and consumption). Each volume is separately introduced and the selected materials are presented thematically, and chronologically within categories. Together the four volumes of Japanese Art present a major scholarly resource for the field.

目次

VOLUME 1: Material Cultures General Introduction Introduction Part I: Buddhist Things 1. The Buddha Triad Senbutsu unearthed in Japan: Replicating and Reinventing the Chinese Prototype in the Seventh Century, Yoko Hsueh Shirai 2. Shifting Identities in Buddhist Sculpture: Who's Who in the Muroji Kondo, Sherry Fowler 3. Containers of Sacred Text and Image at Twelfth-Century Choanji in Kyushu, Sherry Fowler 4. Wooden Statues as Living Bodies: Deciphering the Meanings of the Deposits within Two Manjushri Images of the Saidaiji Order, Pei-Jung Wu 5. Tokens of Faith: Japanese Altar Cloths of the Edo Period, Helen Loveday Part II: Ceramics 6. Debating Jomon Social Complexity, Richard Pearson 7. The Dogu Phenomenon, Nicole Coolidge Rousmaniere 8. Tea Taste: Patronage and Collaboration Among Tea Masters and Potters in Early Modern Japan, Morgan Pitelka 9. Modern Japanese Ceramics into Mingei: Art, Industry and Idea, Richard L. Wilson Part III: Textiles, Lacquer and Swords 10. Weaving Kimono Back into the Fabric of Japanese Art History, John Carpenter 11. Marketing the Marvellous: The Promotion of Textiles and Ceramics in the Later Meiji Era, Joe Earle 12. The Ethereal World of Uzawa Shogetsu, Jan Dees 13. The Japanese Sword: The Soul of the Samurai, Gregory Irvine 14. Introducing the Japanese Sword, Colin M. Roach Part IV: Buildings and Homes 15. The Mystery of the Meiji Model of the Shogun's Mausoleum, William Coaldrake 16. Was Meiji Taste in Interiors 'Orientalist'? Jordan Sand 17. Export Carved Furniture: from Official Pieces to the 'Meiji Baroque', Yumiko Yamamori 18. Household Altars in Contemporary Japan: Rectifying Buddhist 'Ancestor Worship' with Home Decor and Consumer Choice, John Nelson VOLUME 2: Visual Cultures General Introduction Introduction Part I: Painters and Subjects 1. The Monk-Painter in Medieval Japan, Melissa McCormick 2. 'Pictures (the Most Part Bawdy)': The Anglo-Japanese Painting Trade in the Early 1600s, Timon Screech 3. Ito Jakuchu: A Man Rejoicing in Painting, Tadashi Kobayashi 4. Views of Lake Biwa, Matthew McKelway 5. From Feudal Hero to National Icon: The Kusunoki Masashige Image, 1660-1945, Tamaki Maeda Part II: Painting Practices 6. Of Modes and Manners in Japanese Ink Painting: Sesshu's Splashed Ink Landscape of 1495, Yukio Lippit 7. Issues of Talent and Training in the Seventeenth-Century Kano Workshop, Karen Gerhart 8. Copying and Theory in Edo Period Japan (1615-1868), Kazuko Kameda-Madar 9. Nihonga Meets Gu Kaizhi: A Japanese Copy of a Chinese Painting in the British Museum, Shane McCausland Part III: The Courtly Tradition 10. Genji Goes West: The 1510 Genji Album and the Visualization of Court and Capital, Melissa McCormick 11. Konoe Nobutada's Waka Byobu: Kana Calligraphy and the Triumph of a Displaced Courtier, Sadako Ohki 12. Some Western Thoughts on Shodo: The Way of Writing, Sylvan Barnet and William Burton Part IV: Buddhist Images 13. Portrait of Prince Shotoku and Two Princes: From Devotional Painting to Imperial Object, Chari Pradel 14. Cracking Cauldrons and Babies on Blossoms: The Relocation of Salvation in Japanese Hell Painting, Caroline Hirasawa 15. Behind the Sensationalism: Images of a Decaying Corpse in Japanese Buddhist Art, Fusae Kanda 16. Master of Mercy: Kano Kazunobu and the Buddhas Amazing Disciples, James T. Ulak 17. Votive Paintings of the Kabuki Actor Ichikawa Danjuro at Naritasan Shinshoji Temple, Hilary K. Snow 18. The Visual Culture of Japanese Buddhism from the Early Modern Period to the Present, Patricia J. Graham 19. Meaning and Multiplicity: The Daruma Images of Nantenbo, Paul Berry Part V: Modern Images 20. Studio Practices in Early Japanese Photography, Karen Fraser 21. Selling Portrait Photographs: Early Photographic Business in Asakusa, Japan, Maki Fukuoka 22. Laughing in the Face of Calamity: Visual Satire after the Great Kanto Earthquake, Gennifer Weisenfeld 23. Embodiment/Disembodiment in Japanese Painting During the Fifteen-Year War, Bert Winther-Tamaki VOLUME 3: Printed Matter General Introduction Introduction Part I: The Floating World 1. Hokusai: Thirty-Six Views of Mount Fuji, Ann Yonemura 2. Hokusai's Great Waves in Nineteenth-Century Japanese Visual Culture, Christine M. E. Guth 3. The Ephemerality of Gender: Nanshoku and Wakashu in Japanese Erotic Art, Stephen Salel Part II: Printed Drama 4. Creating Celebrity: Poetry in Osaka Actor Surimono and Prints, Andrew C. Gerstle 5. Kabuki Plays on Page-and Comicbook Pictures on Stage-in Edo-Period Japan, Adam L. Kern 6. Playbills, Ephemera, and the Historical Imagination in Nineteenth-Century Japan, Jonathon Zwicker Part III: Writers and Readers 7. Unsuitable Books for Women? "Genji Monogatari" and "Ise Monogatari" in Late Seventeenth-Century Japan, Peter F. Kornicki 8. Manuscript, Not Print: Scribal Culture in the Edo Period, Peter F. Kornicki 9. The Catfish Underground: Japan's Earthquake Folklore and Popular Responses to Disaster, Hidemi Shiga Part IV: Modern Prints 10. Gyre and Gimble: The Artist Books of Takei Takeo (1894-1983), Rachel Saunders 11. Peddling Postcards and Selling Empire: Image- Making in Taiwan under Japanese Colonial Rule, Paul Barclay 12. The Incident at Nishibeta Village: A Classic Manga by Tsuge Yoshiharu from the Garo Years, Tom Gill 13. The Allure of Innocence: Depictions of Women in Modern Japanese Erotic Art, Stephen Salel VOLUME 4: Sites and Patrons, Knowledge and Power General Introduction Introduction Part I: Tradition 1. Reconsidering Zen, Samurai, and the Martial Arts, Oleg Benesch 2. The Multiple Modalities of the Copy in Traditional Japanese Crafts, Christine M. E. Guth 3. The Retirement of Kyoto as Imperial Capital, Alice Y. Tseng 4. New Art and the Display of Antiquities in Mid-Meiji Tokyo, Chelsea Foxwell 5. Reinscribing Tradition in a Transnational Art World, Gennifer Weisenfeld Part II: Exhibitions 6. Japan as Museum? Encapsulating Change and Loss in Late-Nineteenth-Century Japan, Chelsea Foxwell 7. "The Sole Guardians of the Art Inheritance of Asia": Japan and China at the 1904 St. Louis World's Fair, Carol Ann Christ 8. Sumptuous Re-past: The 1964 Tokyo Olympics Arts Festival, Noriko Aso 9. Monumentalizing the Everyday: The Edo-Tokyo Museum, Jordan Sand 10. "The Kimono Wednesday" Protests: Identity Politics and How the Kimono Became More Than Japanese, Julie Valk Part III: Collectors and Patrons 11. To-fukumon'in: Empress, Patron, and Artist, Elizabeth Lillehoj 12. The Empire of Things: Tokugawa Ieyasu's Material Legacy and Cultural Profile, Morgan Pitelka 13. Preserving Intangible Heritage in Japan, Voltaire Garces Cang 14. Objects of Desire: Japanese Collectors and Colonial Korea, Kim Brandt 15. Charles Longfellow and Okakura Kakuzo, Christine M. E. Guth 16. Modern Art Patronage and Democratic Citizenship in Japan, Laura Hein Part IV: Transnational Art 17. The Presentation and Reception of Japanese Art in Europe during the Meiji period, Hiroko Yokomizo 18. Artifacts or Art? Envisioning East Asian Culture in Imperial Germany, Doris Croissant 19. Okakura's Way of Tea: Representing Chanoyu in Early Twentieth-Century America, Noriko Murai 20. Homo Orientalis: Bernard Leach and the Image of the Japanese Craftsman, Edmund De Waal Part V: Power and Creativity 21. Copying in Japanese Art: Calligraphy, Painting, and Architecture, Yoshiaki Shimizu 22. New Art Collectives in the Service of the War: The Formation of Art Organizations during the Asia-Pacific War, Maki Kaneko 23. 'Create what has never been done before!' Historicising Gutai Discourses of Originality, Ming Tiampo 24. Ikeda Manabu, the 2011 Great East Japan Earthquake, and Disaster/ Nuclear Art in Japan, Asato Ikdeda Appendix of Sources Index

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詳細情報

• NII書誌ID(NCID): BB25830450
• ISBN:
  • 9781350024502
  • 9781350024298
  • 9781350024373
  • 9781350024380
  • 9781350024441
• LCCN: 2017053731
• 出版国コード: uk
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: London
• ページ数/冊数: 4 v.
• 大きさ: 25 cm
• 分類:
  • LCC : N7350
  • DC23 : 709.52
• 件名:
  • LCSH : Art, Japanese -- Themes, motives
• 親書誌ID:
  • BB24911772