Lycurgan Athens and the making of classical tragedy
著者
書誌事項
Lycurgan Athens and the making of classical tragedy
(Cambridge classical studies)
Cambridge University Press, 2017, c2014
- : pbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
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  オランダ
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注記
Includes bibliographical references (p. 250-272) and index
内容説明・目次
内容説明
Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338-322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history.
目次
- Introduction: through the Lycurgan looking glass
- Part I. Classical Tragedy and the Lycurgan Programme: 1. Civic poetry in Lycurgus' Against Leocrates
- 2. Scripts and statues, or a law of Lycurgus' own
- 3. Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus
- Part II. Reading the Theatrical Heritage: 4. Courtroom drama: Aeschines and Demosthenes
- 5. Classical tragedy and its comic lovers
- 6. Aristotle and the theatre of Athens
- Epilogue: classical tragedy in the age of Macedon.
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