Authoring Hal Ashby : the myth of the new Hollywood auteur
著者
書誌事項
Authoring Hal Ashby : the myth of the new Hollywood auteur
Bloomsbury Academic, 2018, c2016
- : PB
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Paperback edition first published 2018"--T.p. verso
Includes bibliographical references (p. [191]-199) and index
内容説明・目次
内容説明
Casting fresh light on New Hollywood - one of American cinema's most fertile eras - Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunter's work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era's films of cinematographers, editors, writers and other creative crew members.
Placing Ashby's films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashby's marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashby's own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashby's key collaborators.
Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinema's most exciting eras and one of its most vital filmmakers.
目次
Introduction
Part One
History, Historiography, and Hal Ashby's Reputation
Chapter One
Hal Ashby and the New Hollywood Establishment
Chapter Two
Auteurs and the New Hollywood Canon
Part Two
Tracing Ashby's Authorship
Chapter Three
Authorship, Narrative, Themes
Chapter Four
Authorship, Form, Style
Part Three
Multiple-Authorship
Chapter Five
Being There: A Case Study
Final Thoughts
Re-thinking New Hollywood as a Cinema of Multiple-Authorship
「Nielsen BookData」 より