Felix Gonzalez-Torres : specific objects without specific form

書誌事項

Felix Gonzalez-Torres : specific objects without specific form

curated by Elena Filipovic ; with Danh Vo, Carol Bove, Tino Sehgal

Koenig Books, 2016

大学図書館所蔵 件 / 6

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注記

Works of three exhibitions held at WIELS, Brussels, Jan. 16-Apr. 25, 2010; Fondation Beyeler, Riehen/Basel, May 21-Aug. 29, 2010; and MMK Museum für Moderne Kunst, Frankfurt am Main, Jan. 28-Apr. 25, 2011

内容説明・目次

内容説明

Between 2010 and 2011, curator Elena Filipovic along with artists Danh Vo, Carol Bove and Tino Sehgal, organized a visionary Felix Gonzalez-Torres exhibition across three institutions: WIELS Contemporary Art Centre, Brussels; Fondation Beyeler, Riehen/Basel; and MMK Museum fur Moderne Kunst, Frankfurt.With the profound visual and conceptual potential of Gonzalez-Torres' work in mind, Filipovic devised an exhibition structure that entailed two autonomous-yet-adjacent exhibitions of his work at each of the three venues: one iteration by her, and one by Vo, Bove and Sehgal respectively. This volume follows the show's structure. Each venue has a dedicated section which includes a preface by Filipovic, photographic documentation of each exhibition and a contribution by Vo, Bove and Sehgal reflecting upon their positions as curators of Gonzalez-Torres' work.Danh Vo includes photographs of diagrammatic brass wall plaques as presented within his installation at WIELS; Carol Bove offers an essay describing her personal experiences with the work of Gonzalez-Torres and the curatorial scope of her installation; and Tino Sehgal recorded a conversation with Andrea Rosen--Gonzalez-Torres' lifelong art dealer--which captures part of their rich dialogue around the artist's work. A comparative illustrated checklist documents each of the 85 works by Gonzalez-Torres featured in all their iterations. This invaluable resource showcases the radical and expansive nature of Gonzalez-Torres' work as envisioned through the remarkable and unique voices of this important generation of artists, alongside the curatorial insight of Elena Filipovic.

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