Rocking around the clock : music television, postmodernism, and consumer culture
著者
書誌事項
Rocking around the clock : music television, postmodernism, and consumer culture
(Routledge library editions, . Popular music ; v. 9)
Routledge, 2016
- : pbk
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Videography: p. 171-180
Bibliography: p. 181-185
Select glossary: p. 186-190
Set ISBN for subseries "Popular music": 9781138194328
First published in 1987 by Methuen, New York, NY, London
内容説明・目次
内容説明
The first non-stop rock video channel was launched in the US in 1981. As a unique popular culture form, MTV warrants attention, and in this, the first study of the medium, originally published in 1987, Ann Kaplan examines the cultural context of MTV and its relationship to the history of rock music. The first part of the book focuses on MTV as a commercial institution, on the contexts of production and exhibition of videos, on their similarity to ads, and on the different perspectives of directors and viewers. Does the adoption of adolescent styles and iconography signal an open-minded acceptance of youth's subversive stances; or does it rather suggest a cynicism by which profit has become the only value?
In the second part of the book, Kaplan turns to the rock videos themselves, and from the mass of material that flows through MTV she identifies five distinct types of video: the 'romantic', the 'socially conscious', the 'nihilistic', the 'classical', and the 'postmodern'. There are detailed analyses of certain videos; and Kaplan focuses particularly on gender issues in videos by both male and female stars. The final chapter explores the wider implications of MTV. What does the channel tell us about the state of youth culture at the time?
目次
1. MTV: Advertising and Production 2. History, 'Reading Formations', and the Televisual Apparatus in MTV 3. MTV and the Avant-Garde: the Emergence of a Postmodern Anti-Aesthetic? 4. Ideology, Adolescent Desire, and the Five Types of Video on MTV 5. Gender Address and the Gaze in MTV 6. Conclusion: MTV, Postmodernism, and the Televisual Apparatus
「Nielsen BookData」 より