Archiveology : Walter Benjamin and archival film practices
著者
書誌事項
Archiveology : Walter Benjamin and archival film practices
（A camera obscura book）
Duke University Press, 2018
- : [pbk.]
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注記
Includes bibliographical references (p. [245]-259) and index
内容説明・目次
内容説明
In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
目次
Acknowledgments ix
Prologue 1
1. Introduction to Archiveology 11
2. Walter Benjamin and the Language of the Moving Image Archive 35
3. The Cityscape in Pieces 55
4. Collecting Images 97
5. Phantasmagoria and Critical Cinephilia 141
6. Awakening from the Gendered Archive 184
Epilogue 218
Notes 225
Selected Filmography 245
Bibliography 247
Index 261
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