The wanderers and critical realism in nineteenth-century Russian painting
著者
書誌事項
The wanderers and critical realism in nineteenth-century Russian painting
（Critical perspectives in art history）
Manchester University Press, 2011, c2006
- : pbk
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注記
Includes bibliographical references (p. [185]-192) and index
First published in hardback 2006
内容説明・目次
内容説明
The rise of critical realism in nineteenth-century Russia culminated in 1870 with the formation of the Wanderers, Russia's first independent artistic society. Through depictions of the harsh lives of the peasantry, the fate of political activists, Russian history, landscapes, and portraits of the nation's cultural elite, such as Tolstoy and Dostoevsky, the society became synonymous with dissident sentiments. Yet its members were far from being purveyors of anti-Tsarist propaganda and their canvases reflect also a warm humanity and a fierce pride for such nationalistic themes as Russian myth and legend. Through close readings of single canvases, investigations of major themes and a multi-disciplinary integration of the Wanderers within Russian society, this book gives the first comprehensive analysis of the crucial cultural role played by one of the most successful and genuinely popular schools of art, the legacy of which comprises a fascinating panorama of life and thought in pre-revolutionary Russia. -- .
目次
Introduction
1. Academic autocracy and the artist's burden
2. The challenge to the Academy and formation of the Wanderers
3. The lower depths: images of the rural and urban peasantry
4. The revolutionary's tale: political themes
5. Meritocracy: portraiture
6. History painting: sedition and tradition
7. Landscape painting: styles and ideologies
8. The Slavic Revival
9. Adapted allegiances
Conclusion
Select bibliography
Index -- .
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