Gossip, women, film, and chick flicks
著者
書誌事項
Gossip, women, film, and chick flicks
Palgrave Macmillan, c2017
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book addresses the relationship between gossip, women, and film with regards to the genre of chick flicks. Presenting two case studies on the films Easy A (Will Gluck 2010) and Emma (Douglas McGrath 1996), Dang demonstrates that hearsay plays a defining role in the staging of these films and thus in the film experience. While the lack of women's voices in the general public sphere remains an issue, the female voice is very present in the contemporary woman's film. In its analysis of gossip, this book focuses on a form of communication that has traditionally been assigned to women and is consequently disregarded. Dang provides a theoretical framework for the understanding of speech acts in the popular, yet undertheorized, genre of chick flicks.
目次
1. Introduction2. Gossip as an Organizing Principle of Social Order and Perception3. Easy A - "A is for Awesome"3.1. The Invisible Omnipresence of Gossip3.2. Collective Interaction3.3. Fabulous Subjectivity3.4. Speech Acts and The Feeling of Belonging3.5. Images of Gossip4. Emma - "A match well made, a job well done."4.1. The staging of Free Indirect Discourse4.2. Emma as a Filmic Figuration of a Community4.3. Talking, Rambling, Silence4.4. The Dance as a Filmic Mode of Social Order4.5. The Dramaturgy of Participating Observation4.6. Normalizing Ubiquity5. A Matter of Perspective6. Bibliography7. Index
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