South Africa's renegade reels : the making and public lives of black-centered films
著者
書誌事項
South Africa's renegade reels : the making and public lives of black-centered films
Palgrave Macmillan, 2013
1st ed
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注記
Originally the author's thesis (Ph.D.)--University of the Witwatersrand, 2010
Includes filmography
Includes bibliographical references (p. [205]-221) and index
内容説明・目次
内容説明
Despite incredible political upheavals and a minimal national history of film production, movies such as Come Back, Africa (1959), uDeliwe (1975), and Fools (1998) have taken on an iconic status within South African culture. In this much-needed study, author Litheko Modisane delves into the public critical engagements around old 'renegade' films and newer ones, revealing instructive details both in the production and the public lives of South African movies oriented around black social experiences. This illuminates the complex nature of cinema in modern public life, enriching established methodologies by expanding the cultural and conceptual boundaries of film as a phenomenon of textual circulation.
目次
Opening Shots From Africa to America and Back Again: Come Back, Africa (1959) Propagandistic Designs, Transggresive Mutations: uDeliwe (1975) Engage Film and the Public Sphere: Mapantsula (1988) Gender in the New Nation: Fools (1998) Orchestration of Debate through Television Drama: Yizo Yizo (1999, 2001) Closing Shots
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