An anthropology of things
著者
書誌事項
An anthropology of things
Kyoto University Press , Trans Pacific Press, 2018
- : Kyoto University Press
- : Trans Pacific Press
- タイトル別名
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Mono no jinruigaku
ものの人類学
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注記
Includes bibliographical references (p. 366-395) and indexes
内容説明・目次
- 巻冊次
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: Kyoto University Press ISBN 9784814001590
目次
- Ｐｒｏｌｏｇｕｅ：Ｌｅｔ Ｔｈｉｎｇｓ Ｔｅｌｌ Ｕｓ
- Ｉｎｔｒｏｄｕｃｔｉｏｎ：Ｗｈｙ ｔｈｅ Ａｎｔｈｒｏｐｏｌｏｇｙ ｏｆ Ｍｏｎｏ（Ｔｈｉｎｇｓ）？
- １ Ｔｈｅ Ｇｅｎｅｓｉｓ，Ｅｘｔｉｎｃｔｉｏｎ ａｎｄ Ｃｏｎｔｉｎｕａｔｉｏｎ ｏｆ Ｍｏｎｏ
- ２ Ｔｈｅ Ｎｅｘｕｓ Ｂｅｔｗｅｅｎ Ｍｏｎｏ ａｎｄ ｔｈｅ Ｅｎｖｉｒｏｎｍｅｎｔ
- ３ Ｔｈｅ Ｄｙｎａｍｉｃ Ｂｅｔｗｅｅｎ Ｍｏｎｏ ａｎｄ ｔｈｅ Ｂｏｄｙ
- ４ Ｔｈｅ Ａｇｅｎｃｙ ｏｆ Ｍｏｎｏ
- ５ Ｔｏｗａｒｄ ａ Ｎｅｗ Ｍｏｎｏ Ｔｈｅｏｒｙ
- Ｅｐｉｌｏｇｕｅ：Ｓｔｏｎｅｈｏｏｄ：Ａｇｅｎｃｙ ａｓ Ｉｎａｇｅｎｃｙ
- Ｅｓｓａｙ １ Ｔｈｅ Ａｐｐｅａｒａｎｃｅ ｏｆ “Ｍｏｎｏ”
- Ｅｓｓａｙ ２ Ｍｙｓｔｅｒｉｏｕｓ “Ｍｏｎｏ”
- Ｅｓｓａｙ ３ Ｆｌｕｃｔｕａｔｉｎｇ “Ｍｏｎｏ”
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内容説明・目次
- 巻冊次
-
: Trans Pacific Press ISBN 9781925608984
内容説明
Highlights the important roles that things play in our everyday lives by examining how things and humans interact. Based on ethnographical data from Asia, Africa, and Oceania, the included essays challenge the instrumentalist idea that humans alone are subjects with agency (freedom to act) while things are merely objects at their disposal. Anthropologists have, typically, viewed things through anthropocentric lenses; reducing things to social function or cultural meaning.
The book's approach is to shift the question from "what do things mean?" to "what do they do (cause)?" - a shift from meaning to agency. Using an interdisciplinary approach, including researchers from archaeology, ecological anthropology and primatology, as well as cultural anthropologists, and taking the broadest understanding of things, this book probes the permeable boundaries between subject and object, mind and body, and between humans and things to demonstrate that cultures and things are mutually constitutive.
This book was published as a joint publication with Kyoto University Press.
目次
Figures
Tables
Photographs
Contributors
Prologue: Let Things Tell Us 1
Introduction: Why the Anthropology of Mono (Things)?
Part I: The Genesis, Extinction and Continuation of Mono
1 Between Form, Word and Materiality: Shanbei Paper-Cuts
2 Mono that lurk, retreat, or manifest: Mono and the body
Part II: The Nexus Between Mono and the Environment
3 Mono beyond control: A New Perspective on Cultured Pearls
4 An Ecological Analysis of Pottery Culture: From Clay to “Mono”
Part III: The Dynamic Between Mono and the Body
5 Learning Pottery Making: Transmission of Body Techniques
6 Nature and the Body in Male Sex Stimulants
Part IV: The Agency of Mono
7 Masks as Performers: Topeng, a Balinese Masked Dance Drama
8 “Living” Musical Instruments: On Changing Sounds of Suling
9 Mono that Show and Tempt: Contingency by Fortune-Tellers
Part V: Toward a New Mono Theory
10 The Origin of Tool-using Behavior and Human Evolution
11 “Things” and Their Emergent Sociality in the Primates’ World
12 Livestock as Interface: The Case of the Samburu in Kenya
13 The Cicadas Drizzle of the Chamus
Epilogue: Stonehood: Agency as Inagency
Essay I: The Appearance of “Mono”
I-1 Where a Name Acquires a Form: Motifs of Javanese Batik
I-2 Kashta Drives People: The “Mono” Power of Uzbek Embroidery
I-3 “Play” Between Mono and Humans: Interdependence with bananas?
Essay II: Mysterious “Mono”
II-1 Fetishism on Pagodas and Buddha Images
II-2 “Mono” Sucked Out of the Body: Shamanic Rituals of Ladakh
Essay III: Fluctuating “Mono”
III-1 Globalization of Aboriginal Paintings, Localization of “Art”
III-2 The Bodies and Art Forms of Pacific Islander Artists
III-3 Staying Authentic: Between bingata and Ryukyu Bingata
Notes
Bibliography
Index
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