Cinema and the second sex : women's filmmaking in France in the 1980s and 1990s

Bibliographic Information

Cinema and the second sex : women's filmmaking in France in the 1980s and 1990s

Carrie Tarr, Brigitte Rollet

(Bloomsbury academic collections, Film studies . European cinema)

Bloomsbury Academic, 2016

  • HB

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Note

First published in 2001 by Continuum

Includes bibliographical references (p. 297-306) and index

Description and Table of Contents

Description

Women's filmmaking in France has been a source of both delight and despair. On the one hand, the numbers are impressive - over 250 feature-length films were made by over 100 women directors in France in the 1980s and 1990s. On the other hand, despite the heritage of French feminism, French women directors characteristically disclaim their gender as a significant factor in their filmmaking. This incisive study provides an informative, critical guide to this major body of work, exploring the boundaries between personal films (intimate psychological dramas relating to key stages in life) and genre films (which demonstrate women's ability to appropriate and rework popular genres). It analyzes the effects of postfeminism, women's desire to enter the mainstream, and the impact of a new generation of filmmakers, enabling readers to take stock of the wealth and diversity of women's contribution to French cinema during the 1980s and 1990s.

Table of Contents

Illustrations Acknowledgements Introduction Part I - Personal Films 1. Growing Up 2. The Age of Possibilities 3. Couples 4. Families 5. Work, Art and Citizenship Part II - Genre Films 6. Comedies 7. Crime Dramas 8. Road Movies 9. Historical Films Conclusion Filmography: Films Directed by Women 1980-1999 Supplementary Filmography: Films Directed by Women 2000 Bibliography Index of Film Titles and Selected Proper Names

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