Music, modern culture, and the critical ear : a festschrift for Peter Franklin
著者
書誌事項
Music, modern culture, and the critical ear : a festschrift for Peter Franklin
(An Ashgate book)
Routledge, 2018
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, this collected volume of essays by Franklin's students and colleagues returns to that challenge and the vibrant intellectual field that has since developed. Moving freely between insights into opera, Volksoper, film, festival, and choral movement, and from the very earliest years of the twentieth century up to the 1980s, its authors listen with a 'critical ear': they site these musical phenomena within a wider web of modern cultural practices - a perspective, in turn, that enables them to exercise a disciplinary self-awareness after Franklin's manner.
目次
Introduction. Nicholas Attfield and Ben Winters Section 1: Personal Tributes 1. Susan McClary, 'Peter Franklin's Guilty Pleasures' 2. Kate Daubney, 'From Opera House to Cinema: Forging a New Discipline in 1988' Section 2: Modernism and Modernity 3. Sherry Lee and Thomas Peattie, 'Extraordinary Listening (Mahler - and Franklin)' 4. Ben Winters, 'Korngold's Violanta: Venice, Carnival, and the Masking of Identities' 5. Jonathan Hicks, 'Erik Satie and the Subject(s) of Mobility' Section 3: Reconsidering Interwar Germany 6. Nicholas Attfield, 'Ein Menschenherz geopfert - oder viele!': Hans Pfitzner and the Idea of a Volksoper' 7. Matthew Werley, 'The Architecture of Trauma: Richard Strauss, Salzburg, and the Great War' 8. Alexander Binns, 'Cozarinsky's La Guerre d'un seul homme and Musical Categories: (Re)-Framing Pfitzner, Strauss, Schreker, and Schoenberg Cinematically' Section 4: Musicology and its Values 9. Christopher Chowrimootoo, '"Britten Minor": Constructing the Modernist Canon' 10. Aidan J. Thomson, 'Elgar's Part-Song Cycle, Op. 53: Idealism and Education' 11. David Cooper, '"It must be done fresh and new"-Bernard Herrmann's Score for North by Northwest' 12. Christopher Morris, 'Back from the Dead: Kubrick, Music and the Auteur'
「Nielsen BookData」 より