Historical interplay in French music and culture, 1860-1960
著者
書誌事項
Historical interplay in French music and culture, 1860-1960
（An Ashgate book）
Routledge, 2018
- : hbk
大学図書館所蔵 全3件
注記
Includes bibliographical references (p. [233]-244) and index
内容説明・目次
内容説明
This edited volume of case studies presents a selective history of French music and culture, but one with a dynamic difference. Eschewing a traditional chronological account, the book explores the nature of relationships between one main period, broadly the 'long' modernist era between 1860-1960, and its own historical 'others', referencing topics from the Romantic, classical, baroque, renaissance and medieval periods. It probes the emergent interplay, intertextualities and scope for reinterpretation across time and place. Notions of cultural meaning are paramount, especially those pertaining to French identity, national and individual. While founded on historical musicology, the approach benefits from interdisciplinary association with philosophy, political history, literature, fine art, film studies and criticism. Attention is paid to French composers' celebrations and remakings of their predecessors. Editions of and writings about earlier music are examined, together with the cultural reception of performances of past repertoire. Organized into two parts, each of the eleven chapters characterizes a specific cultural network or temporal interplay, which may result in synthesis, disjunction, or historical misreading. The interwar years and those surrounding the Second World War prove particularly rich sources of enquiry. This volume aims to attract a wide readership of musicologists and musicians, as well as cultural historians, other humanities scholars and concert-goers.
目次
Introduction: revisiting French musical history (Deborah Mawer) PART I French music and culture, 1860-1930 1 Patrimoine in French music: layers and crosscurrents from the Romantics to the 1920s (Katharine Ellis) 2 'Le Paradis deux fois perdu': Debussy, Watteau and the fete galante (Richard Langham Smith) 3 Saint-Saens, d'Indy and the Rameau OEuvres completes: new light on the Zoroastre editorial project (1914) (Graham Sadler) 4 Adventures in gastromusicology: Satie, La Sirene and Trois petites pieces montees (1919) (Caroline Potter) 5 Le Tombeau de Ronsard in La Revue musicale (1924): memory and historical interplay (Helen Julia Minors) PART II French music and culture, 1930-1960 6 Beyond neoclassicism: symphonic form, catharsis and political commentary in Barraine's Deuxieme symphonie (1938) (Laura Hamer) 7 Tristan und Isolde in occupied Paris, 1941: a convenient solution to France's Wagner problem? (Rachel Orzech) 8 Historical French music in French feature films of the Occupation years (Isabel De Berrie) 9 Jolivet's Rameau: theory, practice and temporal interplay (Deborah Mawer) 10 Jolivet's Beethoven: supplementarity, topicality and alterity (Jun Zubillaga-Pow) 11 Commission and omission: the canon according to Messiaen (Christopher Dingle)
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