Francisco de Goya, 1746-1828 : on the threshold of modernity

Bibliographic Information

Francisco de Goya, 1746-1828 : on the threshold of modernity

Rose-Marie and Rainer Hagen

Taschen, c2016

  • : [hardback]

Other Title

Goya

Available at  / 2 libraries

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Note

"Basic art series 2.0"--Back flap of dustjacket

Bibliography: p. [96]

Description and Table of Contents

Description

From court portraits for the Spanish royals to horrific scenes of conflict and suffering, Francisco Jose de Goya y Lucientes (1746-1828) made a mark as one of Spain's most revered and controversial artists. A master of form and light, his influence reverberates down the centuries, inspiring and fascinating artists from the Romantic Eugene Delacroix to Britart enfants terribles, the Chapman brothers. Born in Fuendetodos, Spain, in 1746, Goya was apprenticed to the Spanish royal family in 1774, where he produced etchings and tapestry cartoons for grand palaces and royal residences across the country. He was also patronized by the aristocracy, painting commissioned portraits of the rich and powerful with his increasingly fluid and expressive style. Later, after a bout of illness, the artist moved towards darker etchings and drawings, introducing a nightmarish realm of witches, ghosts, and fantastical creatures. It was, however, with his horrific depictions of conflict that Goya achieved enduring impact. Executed between 1810 and 1820, The Disasters of War was inspired by atrocities committed during the Spanish struggle for independence from the French and penetrated the very heart of human cruelty and sadism. The bleak tones, agitated brushstrokes, and aggressive use of Baroque-like light and dark contrasts recalled Velazquez and Rembrandt, but Goya's subject matter was unprecedented in its brutality and honesty. In this introductory book from TASCHEN Basic Art 2.0 we set out to explore the full arc of Goya's remarkable career, from elegant court painter to deathly seer of suffering and grotesquerie. Along the way, we encounter such famed portraits as Don Manuel Osorio Manrique de Zuniga, the dazzling Naked Maja, and The 3rd of May 1808 in Madrid, one of the most heart-stopping images of war in the history of art.

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Details

  • NCID
    BB2633955X
  • ISBN
    • 9783836532686
  • Country Code
    gw
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Köln
  • Pages/Volumes
    95, [1] p.
  • Size
    27 cm
  • Classification
  • Subject Headings
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