Recomposing the past : representations of early music on stage and screen
著者
書誌事項
Recomposing the past : representations of early music on stage and screen
(Ashgate screen music series)
Routledge, 2018
- : hbk
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注記
"Works cited"at end of each paper
Includes index
収録内容
- Representing Renaissance Rome : beyond anachronism in Showtime's The Borgias (2011) / James Cook
- Baroque á la Hitchcock : the music of Dangerous Liaisons (1988) / Mervyn Cooke
- "Frame not my lute" : the musical Tudor Court on the big screen / Daniela Fountain
- It ain't over 'til King Arthur sings : English dramatick opera on the modern stage / Katherina Lindekens
- Musical divisions of the sacred and secular in The Hunchback of Notre Dame / Adam Whittaker
- Celtic music and Hollywood cinema : representation, stereotype, and affect / Simon Nugent
- David Munrow's "Turkish nightclub piece" / Edward Breen
- Little harmonic labyrinths : baroque musical style on the Nintendo Entertainment System / William Gibbons
- Presentness and the past in contemporary British opera / Alexander Kolassa
- Angels in the archive : animating the past in Written on Skin / Maria Ryan
- Werner Herzog and the filmic dark arts : myth, truth, music, and the life of Carlo Gesualdo (1566-1613) / Philip Weller
- Medievalism, music, and agency in The Wicker Man (1973) / Lisa Colton
- Music in fantasy pasts : neomedievalism and Game of Thrones / James Cook, Alexander Kolassa and Adam Whittaker
