Mihrî Hatun : performance, gender-bending, and subversion in Ottoman intellectual history
著者
書誌事項
Mihrî Hatun : performance, gender-bending, and subversion in Ottoman intellectual history
(Gender, culture and politics in the Middle East)
Syracuse University Press, 2017
- : paperback
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 199-207) and index
内容説明・目次
内容説明
The early modern Ottoman poet Mihrî Hatun (1460–1515) succeeded in drawing an admiring audience and considerable renown during a time when few women were accepted into the male-dominated intellectual circles. Her poetry collection is among the earliest bodies of women’s writing in the Middle East and Islamicate literature, providing an exceptional vantage point on intellectual history. With this volume, Havliog?lu not only gives readers access to this rare text but also investigates the factors that allowed Hatun to survive and thrive despite her clear departure from the cultural norms of the time. Placing the poet in the context of her era and environment, Havliog?lu finds that the poet’s dramatic, masterful performance and subversiveness are the very reasons for her endurance and acclaim in intellectual history. Hatun performed in a way that embraced her marginal position as a woman and leveraged it to her advantage. Havliog?lu’s astute and nuanced portrait gives readers a fascinating glimpse into the life of a woman poet in a highly gendered society and suggests that women have been part of intellectual history long before the modern period.
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