The theatre of David Henry Hwang

著者

    • Lee, Esther Kim

書誌事項

The theatre of David Henry Hwang

Esther Kim Lee

（Critical companions）（Methuen drama, . Drama and performance studies）

Bloomsbury Methuen Drama, 2015

  • : PB

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注記

Includes bibliographical references (p. [189]-200) and index

内容説明・目次

内容説明

Since the premiere of his play FOB in 1979, the Chinese American playwright David Henry Hwang has made a significant impact in the U. S. and beyond. The Theatre of David Henry Hwang provides an in-depth study of his plays and other works in theatre. Beginning with his "Trilogy of Chinese America", Esther Kim Lee traces all major phases of his playwriting career. Utilizing historical and dramaturgical analysis, she argues that Hwang has developed a unique style of meta-theatricality and irony in writing plays that are both politically charged and commercially viable. The book also features three essays written by scholars of Asian American theatre and a comprehensive list of primary and secondary sources on his oeuvre. This comprehensive study of Hwang's work follows his career both chronologically and thematically. The first chapter analyzes Hwang's early plays, "Trilogy of Chinese America," in which he explores issues of identity and cultural assimilation particular to Chinese Americans. Chapter two looks at four plays characterised as "Beyond Chinese America," which examines Hwang's less known plays. Chapter three focuses on M. Butterfly, which received the Tony Award for Best Play in 1988. In chapter four, Lee explores Hwang's development as a playwright during the decade of the 1990s with a focus on identity politics and multiculturalism. Chapter five examines Hwang's playwriting style in depth with a discussion of Hwang's more recent plays such as Yellow Face and Chinglish. The sixth chapter features three essays written by leading scholars in Asian American theatre: Josephine Lee on Flower Drum Song, Dan Bacalzo on Golden Child, and Daphne Lei on Chinglish. The final section provides a comprehensive compilation of sources: a chronology, a bibliography of Hwang's works, reviews and critical sources.

目次

Acknowledgements Introduction 1 The Trilogy of Chinese America: Magic Realism and the Californian Cool FOB The Dance and the Railroad Family Devotions 2 Beyond Chinese America: Love, Death and Resurrection The House of Sleeping Beauties The Sound of a Voice As the Crow Flies Rich Relations 3 M. Butterfly The Story and Style of M. Butterfly The Production of M. Butterfly Criticisms and Interpretations of M. Butterfly The Legacy of M. Butterfly 4 Identity Politics and Multiculturalism in the 1990s Bondage Face Value Trying to Find Chinatown Golden Child 5 The Irony and Rhetoric of the Global Millennium Yellow Face Chinglish Kung Fu 6 Other Critical Perspectives 'Something Beyond and Above': David Henry Hwang's Revision of Flower Drum Song Josephine Lee David Henry Hwang's Golden Opportunities Dan Bacalzo Butterfly and Locust: Chinglish and Asian American Theatre in the Transnational Context Daphne Lei

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