Suzan-Lori Parks : a casebook
著者
書誌事項
Suzan-Lori Parks : a casebook
（Casebooks on modern dramatists）
Routledge, 2012
- : pbk
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注記
First published 2007
Includes bibliographical references and index
内容説明・目次
内容説明
Suzan-Lori Parks confirmed herself as one of the most exciting and successful playwrights of her generation when her work Topdog/Underdog was awarded the 2002 Pulitzer Prize, making her the only African American woman to win the award.
Despite the cultural weight of this achievement, Parks remains difficult both to pigeonhole and to summarize.
This volume seeks to provide a context for her work, with essays from major and emerging scholars addressing the importance of factors such as gender, ethnicity, language and history in plays from her first major work, Imperceptible Mutabilities of the Third Kingdom to the 365 Days / 365 Plays project. Suzan-Lori Parks: A Casebook represents the first major study of this unique voice in contemporary drama.
Contributors: Leonard Berkman, Jason Bush, Shawn Marie-Garrett, Andrea Goto, Heidi Holder, Barbara Ozieblo, Kevin J. Wetmore Jr and Harvey Young.
Kevin J. Wetmore Jr is Professor of Theatre at Loyola Marymount University, as well as being a professional actor and director of the Comparative Drama Conference. He is the author of The Athenian Sun in an African Sky and Black Dionysus: Greek Tragedy and African American Theatre.
Alycia Smith-Howard an Assistant Professor at New York University in the Gallatin School of Individualized Study, where she is the Artistic Director of the Gallatin Arts Festival and the Book Reviews Editor at the New England Theatre Journal. A Fellow of the Folger Shakespeare Library, her areas of specialization include Shakespeare, performance history, feminist theatre aesthetics and literature and drama of the south.
目次
1. Figure, Form and Language in Imperceptible Mutabilities in the Third Kingdom 2. Strange Legacy: The History Plays of Suzan-Lori Parks 3. Choral Compassion: In the Blood and Venus 4. The "Fun that I had": The Theatrical Gendering of Suzan-Lori Parks's "Figures" 5. Language as Protagonist in In the Blood 6. "Who's Thuh Man?" Historical Melodrama and the Performance of Masculinity in Topdog/Underdog 7. Re-Enacting: Metatheatre in the Plays of Suzan-Lori Parks 8. Digging Out of the Pigeonhole: African American Representation in the Plays of Suzan-Lori Parks 9. "It's an Oberammergau Thing!" - An Interview with Suzan-Lori Parks
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