Musical Haptics
著者
書誌事項
Musical Haptics
(Springer series on touch and haptic systems)
Springer International Pub., 2018
- : hbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
This open access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces.
Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
目次
Introduction.- Part 1- Haptics in Musical Interaction: Psychophysics and User Experience.- A Brief Overview of the Somatosensory System.- Once More with Feeling: The Dynamics of Performer-Instrument Interaction.- Perception of Vibrotactile Cues in Musical Performance.- The Role of Haptic Cues in Musical Instrument Quality Perception.- A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions.- Auditory-Tactile Experience of Music.- Part II - Haptic Musical Interfaces: Design and Applications.- The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments.- Implementation and Characterization of Vibrotactile Interfaces.- Touchscreens and Musical Interaction.- Design of Vibrotactile Feedback.- Haptic Force-Feedback Instruments for the Laptop Orchestra of Louisiana.- Haptics for the Development of Fundamental Rhythm Skills Including Multi-Limb Coordination.
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