The Routledge companion to popular music history and heritage

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The Routledge companion to popular music history and heritage

edited by Sarah Baker ... [et al.]

(Routledge companions)

Routledge, 2018

  • : hbk

Available at  / 9 libraries

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Includes bibliographical references and index

Description and Table of Contents

Description

The Routledge Companion to Popular Music History and Heritage examines the social, cultural, political and economic value of popular music as history and heritage. Taking a cross-disciplinary approach, the volume explores the relationship between popular music and the past, and how interpretations of the changing nature of the past in post-industrial societies play out in the field of popular music. In-depth chapters cover key themes around historiography, heritage, memory and institutions, alongside case studies from around the world, including the UK, Australia, South Africa and India, exploring popular music's connection to culture both past and present. Wide-ranging in scope, the book is an excellent introduction for students and scholars working in musicology, ethnomusicology, popular music studies, critical heritage studies, cultural studies, memory studies and other related fields.

Table of Contents

List of figures, tables and boxes Notes on contributors Acknowledgements 1 Framing the field of popular music history and heritage studies Zelmarie Cantillon, Catherine Strong, Lauren Istvandity and Sarah Baker PART 1 History and historiography 2 Problematising popular music history in the context of heritage and memory Bruce Johnson 3 Gendered narratives of popular music history and heritage Rosa Reitsamer 4 Racialising music's past and the media archive Nabeel Zuberi 5 Sounding out popular music history: a musicological approach Richard Elliott 6 Reconstructing the past: popular music and historiography Steve Waksman 7 Cultural consecration and the creation of canons Vaughn Schmutz 8 What we did was secret: (one version of) the writing of popular music's histories Jon Dale 9 Music magazines and the first draft of history Dave Laing and Catherine Strong 10 Screening popular music's past: music documentary and biopics Tim Wall and Nicolas Pillai 11 Historiography and the role of the archive Antti-Ville Karja PART 2 Heritage 12 What is popular music cultural heritage? Paul Long 13 The politics of popular music heritage Henry Johnson 14 Local and global intersections of popular music history and heritage Robert Knifton 15 Popular music heritage and tourism Brett D. Lashua 16 DIY preservationism and recorded music - saving lost sounds Andy Bennett 17 'Knowledge of Beatles songs and McCartney parts essential': tribute acts, the music industries and the value of heritage Shane Homan 18 Burning punk and bulldozing clubs: the role of destruction and loss in popular music heritage Catherine Strong PART 3 Memory 19 Popular music and the memory spectrum Michael Pickering 20 Popular music and autobiographical memory: intimate connections over the life course Lauren Istvandity 21 Popular music in mediated and collective memory Ben Green 22 'Do you remember rock 'n' roll radio?' How audiences talk about music-related personal memories, preferences, and localities Amanda Brandellero, Marc Verboord and Susanne Janssen 23 Popular music and commemorative ritual: a material approach Irene Stengs 24 Songs that resonate: the uses of popular music nostalgia Arno van der Hoeven 25 Citizen archiving and virtual sites of musical memory in online communities Jez Collins PART 4 Institutions 26 Representing popular music histories and heritage in museums Marion Leonard 27 Sound archives, ethnography and sonic heritage Noel Lobley 28 Popular music halls of fame as institutions of cultural heritage Raphael Nowak and Sarah Baker 29 DIY institutions and amateur heritage making D-M Withers 30 Reissue programmes: framing the past as project Elodie A. Roy PART 5 Case studies 31 Rethinking Indigenous popular music heritage as Australian heritage Ase Ottosson 32 'Koile, 'Te Hua' and the Reggae-fication of cultural heritage Dan Bendrups, Pip Laufiso and Hiliako Iaheto 33 Bollywood: its histories in India, and beyond Jayson Beaster-Jones 34 Preserving popular music heritage in Hungary Emilia Barna 35 The history and heritage of popular Afrikaans music Schalk van der Merwe 36 Sound archives in West Africa Graeme Counsel 37 Palestinian popular music: how popular music becomes heritage Moslih Kanaaneh 38 Phillips' Sound Recording Services: the studio that tourism forgot Mike Brocken Index

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