Theatre and music in Manila and the Asia Pacific, 1869-1946 : sounding modernities
著者
書誌事項
Theatre and music in Manila and the Asia Pacific, 1869-1946 : sounding modernities
(Transnational theatre histories / series editors, Christopher B. Balme, Tracy C. Davis, Catherine M. Cole)
Palgrave Macmillan, c2018
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
includes bibliographical references (p. 229-241) and index
内容説明・目次
内容説明
This book examines the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948. During this period, tolerant political regimes resulted in the globalization of capitalist relations and the improvement of transcontinental travel and worldwide communication. This allowed modern modes of theatre and music consumption to instigate the uniformization of cultural products and processes, while simultaneously fragmenting societies into distinct identities, institutions, and nascent nation-states.
Taking the performing bodies of migrant musicians as the locus of sound, this book argues that the global movement of acoustic modernities was replicated and diversified through its multiple subjectivities within empire, nation, and individual agencies. It traces the arrival of European travelling music and theatre companies in Asia which re-casted listening into an act of modern cultural consumption, and follows the migration of Manila musicians as they engaged in the modernization project of the neighboring Asian cities.
目次
Overture 11 The Sound of Modernity.-Sound(ing)s of Modernity.-Preludes of Noise.-Listening to Modernity.-Transposing to Modernity.-Aesthetic Autonomy.-Cultural Commodification.-An Anthropology of Sound.-2 The Tolling of an Early Global City: Genealogiesof Cultural Modernities.-Orchestrating an Archaic Global City.-The Manila-Acapulco Galleon Sounding Route.-Under the Sound of the Bell.-Polyphonic Society.-Enharmonic Entanglements.-Playing by Ear: Acoustic Epistemologies.-Institutionalising Music and Theatre.-Conclusion.-3 De Todo un Poco: Cultural Consumption in Modern Global Manila, 1848-1898.-De Todo un Poco.-Global Sounds, Local Voices Opera.-Zarzuela.-Listening Through the Gaps of Modernity.-Conclusion.-Entr'acte: Sound Junctures of Global Modernity.-Nation as a Modernist Project.-Modernity and Globalisation.-4 Staging Modernity, Auditioning the Republic: Music.-Theatre and the Soni of the Nation.-The First Republic in Asia.-Performing the Republic.-A Dreamed Alliance? Or the First Tagalog Operaas an Exercise in Diplomatic Claim for Sovereignty.-Bayan Ko: Sarsuwela and Composing the Sonus of the Nation.-Conclusion.-5 Modernities in Conflict: The Military Band BetwixtEmpires and Nations.-Regimenting Colonial Sound.-Between Archaic Empire and the Nascent Nation.-US Brass Imperialism and the Philippine Constabulary Band Performing the Empire at St. Louis.-Taft's Own: The Little Brown Men on Tour.-Conclusion 6 Echoing Modernities: Modern Globalisation and the Manila Musicians.-Global Modernities and Sonic Migration.-Echoing Modernities: The Manila Musicians Across Asia The Shanghai Municipal Band.-The Sta. Cecilia Band in Singapore.-Into the Twentieth Century.-Conclusion.-Coda.-References.-Index
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