Messiaen perspectives

著者

書誌事項

Messiaen perspectives

edited by Christopher Dingle, Robert Fallon

Routledge, 2016

  • 1 : pbk
  • 2 : pbk

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注記

1. Sources and influences -- 2. Techniques, influence and reception

"First published 2013 by Ashgate Publishing. First issued in paperback 2016"--T.p. verso

Includes discographies, bibliographical references and indexes

内容説明・目次

巻冊次

1 : pbk ISBN 9781138245938

内容説明

Focusing on Messiaen's relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen's music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen's compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever more today. Messiaen Perspectives 1: Sources and Influences presents many new primary sources, including discussion of Messiaen's birdsong cahiers, sketch and archival materials for his Prix de Rome entries and war-time Portique, along with performance practice insights and theological inspiration in works as diverse as Visions de l'Amen, Harawi, Timbres-durees and the organ Meditations. The volume places the composer within a broader historical and cultural framework than has previously been attempted, ranging from specific influences to more general contexts. As a centrepiece, the book includes an examination of the impact of one of the greatest influences upon Messiaen, Yvonne Loriod.

目次

  • Introduction
  • I: Sources
  • Perspectives on Sources
  • 1: Olivier Messiaen and the Prix de Rome as Rite of Passage
  • 2: Olivier Messiaen and Portique pour une fille de France
  • 3: Formal Genesis in the Sketches for Visions de l'Amen 1
  • 4: From Music for the Radio to a Piano Cycle: Sources for the Vingt Regards sur l'Enfant-Jesus
  • 5: My Collaboration with Olivier Messiaen and Yvonne Loriod on Harawi
  • 6: Olivier Messiaen's Timbres-durees
  • 7: From Reveil des oiseaux to Catalogue d'oiseaux: Messiaen's Cahiers de notations des chants d'oiseaux, 1952-59
  • 8: In the Beginning Was The Word? An Exploration of the Origins of Meditations sur le mystere de la Sainte Trinite
  • I: Intermede
  • 9: Yvonne Loriod as Source and Influence
  • II: Influences
  • Perspectives on Influences
  • 10: Messiaen and Mozart: A Love without Influence?
  • 11: Messiaen and the Romantic Gesture: Contemplations on his Piano Music and Pianism
  • 12: Messiaen and the Problem of Communication
  • 13: Messiaen and Art Sacre
  • 14: Messiaen, the Cinq Rechants and 'Spiritual Violence'
  • 15: Messiaen in Retrospect
巻冊次

2 : pbk ISBN 9781138269651

内容説明

Focusing on Messiaen's relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen's music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen's compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever more today. Messiaen Perspectives 2: Techniques, Influence and Reception explores Messiaen's imprint on recent musical life. The first part scrutinizes his compositional technique in terms of counterpoint, spectralism and later piano music, while the second charts ways in which Messiaen's influence is manifest in the music and careers of Ohana, Xenakis, Murail and Quebecois composers. The third part includes case studies of Messiaen's reception in Italy, Spain and the USA. The volume also includes an ornithological catalogue of Messiaen's birds, collates information on the numerous 'tombeaux' pieces he inspired, and concludes with a Critical Catalogue of Messiaen's Musical Works.

目次

  • Introduction
  • 1: Techniques
  • 1: Sacred Machines: Fear, Mystery and Transfiguration in Messiaen's Mechanical Procedures 1
  • 2: La Fauvette des jardins and the 'Spectral Attitude'
  • 3: Aspects of Compositional Organization and Stylistic Innovation in Petites Esquisses d'oiseaux
  • 4: Messiaen's Counterpoint 1
  • 1: Intermede 1
  • 5: A Catalogue of Messiaen's Birds
  • 2: Influence
  • 6: Messiaen and Ohana: Parallel Preoccupations or Anxiety of Influence?
  • 7: The Messiaen-Xenakis Conjunction 1
  • 8: From France to Quebec: Messiaen's Transatlantic Legacy
  • 9: Messiaen and the Spectralists
  • 2: Intermede 2
  • 10: The Tombeaux of Messiaen: At the Intersection of Influence and Reception
  • 3: Reception
  • 11: The Reception of Olivier Messiaen in Italy: A Historical Interpretation 1
  • 12: Three Decades of Messiaen's Music in Spain: A Brief Survey, 1945-1978
  • 13: Placing Mount Messiaen 1
  • 14: Genesis and Reception of Olivier Messiaen's Traite de rythme, de couleur, et d'ornithologie, 1949-1992: Toward a New Reading of the Composer's Writings 1

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