Memory landscapes of the Inka carved outcrops : from past to present
著者
書誌事項
Memory landscapes of the Inka carved outcrops : from past to present
Lexington Books, c2016
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 273-289) and index
内容説明・目次
内容説明
Memory Landscapes of the Inka Carved Outcrops: From Past to Present presents a comprehensive analysis of the carved rocks the Inka created in the Andean highlands during the fifteenth and early sixteenth centuries. It provides an overview of Inka history, a detailed analysis of the techniques and styles of carving, and five comprehensive case studies. It opens in the Inka capital, Cusco, one of the two locations where the geometric style of Inka carving was authored by the ninth ruler Pachakuti Inka Yupanki. The following chapters move to the origin places on the Island of the Sun in Lake Titicaca and at Pumaurqu, southwest of Cusco, where the Inka constructed the emergence of the first members of their dynasty from sacred rock outcrops. The final case studies focus upon the royal estates of Machu Picchu and Chinchero. Machu Picchu is the second site where Pachakuti appears to have authored the geometric style. Chinchero was built by his son, Thupa Inka Yupanki, who adopted his father's strategy of rock carving and associated political messages.
The methodology used in this book reconstructs relational networks between the sculpted outcrops, the land and people and examines how such networks have changed over time. The primary focus documents the specific political context of Inka carved rocks expanded into the performance of a stone ideology, which set Inka stone cults decidedly apart from earlier and later agricultural as well as ritual uses of empowered stones. When the Inka state formed in the mid-fifteenth century, carved rocks were used to mark local territories in and around Cusco. In the process of imperial expansion, selected outcrops were sculpted in peripheral regions to map Inka presence and showcase the cultivated and ordered geography of the state.
目次
Dedication
List of Figures
Introduction: Background, Purpose, Methodologies, and Findings, Source Materials
Chapter 1: Formal and Structural Analysis of Inka Carved Rocks
Carving Techniques
Pre-Inka Roots of Stone Carving and Rock Art
The Formal Elements of Inka Carved Rocks:
Structural Features Associated with Carved Rocks
Chapter 2: Carved Rocks on the Cusco Zeq'e Lines
Groundwork
Inka Landscape and Carved Rocks - Appearance, Experience, and Perception Inka Landscape and Carved Rocks - Essence, Imagination, and Stone Ideology
Summary
Chapter 3: The Birthplace of the Sun, Moon and the Inka Ancestors on the Island of the Sun and the Southern Basin of Lake Titicaca
Groundwork
Inka Landscape and Carved Rocks - Appearance, Experience, and Perception Inka Landscape and Carved Rocks -Essence, Imagination, and Stone Ideology
Chapter 4: Inka Pacariqtambo - A Landscape of Power Relations through Time
Groundwork
Inka Landscape and Carved Rocks -Appearance, Essence, and Perception
Inka Landscape and Carved Rocks -Essence, Imagination, and Stone Ideology
Chapter 5: Machu Picchu
Royal Estates
Machu Picchu
Groundwork
Inka Landscape and Carved Rocks - Appearance, Experience, and Perception
Inka Landscape and Carved Rocks - Essence, Imagination, and Stone Ideology
Conclusions
Chapter 6: Chinchero
Groundwork
Inka Landscape and Carved Rocks -Appearance, Experience, and Perception
Inka Landscape and Carved Rocks -Essence, Imagination, and Stone Ideology
Conclusions
Chapter 7: Discussion and Conclusions
Major Results of this Investigation
Relations with Stony Places Constructed in the Contemporary
National and Global Worlds
Conclusions
Afterword
References
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