A grammar of Purik Tibetan
著者
書誌事項
A grammar of Purik Tibetan
（Brill's Tibetan studies library, 5 . Languages of the greater Himalayan region / edited by George L. van Driem ; v. 21）
Brill, c2018
- : hardback
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注記
Includes bibliographical references (p. [947]-958) and index
内容説明・目次
内容説明
In A Grammar of Purik Tibetan, Marius Zemp offers a comprehensive description of the phonologically archaic Tibetan variety spoken in Kargil, the capital of a region called Purik, situated in the state of Jammu & Kashmir, India. This book contains the most thorough and insightful description of the verbal system of a Tibetic language yet written and will be particularly relevant for scholars studying evidentiality. It also includes highly valuable discussions of a syntactically and pragmatically well-defined class of ideophones which Zemp calls "dramatizers" and of prosody - topics which are too often neglected in language descriptions. Finally, this book goes beyond what others have done in that Purik data are used to elucidate our understanding of Classical Tibetan and its origins.
目次
Contents
Acknowledgments
List of Tables
List of Figures
List of Abbreviations
1 Introduction
1.1 Purik
1.2 South and East Purik
1.3 Language Contact
1.4 Genetic Affiliation
1.5 Previous Research
1.6 Data
1.7 A Note on Pragmatics
1.8 The Method of Functional Reconstruction
1.9 Outline
2 Phonology
2.1 Synchronic Phonology
2.2 Diachronic Phonology
3 Noun Phrases
3.1 Derivation
3.2 Definiteness and Number
3.3 Demonstratives, Personal, Interrogative and Other Pronouns
3.4 Case
3.5 Discourse-structuring Morphemes
4 Sentences
4.1 Verbal Stems
4.2 Infinite Verbal Forms
4.3 Light Verbs
4.4 Copulas and Finite Clauses
4.5 Other Clause-Final Morphemes
5 Modification, Intensification, and Dramatization of Sentences
5.1 Adverbs
5.2 The Intensifier mana
5.3 Dramatizers
5.4 t oq '(at that) moment'
6 Clause Linkage
6.1 Clause-linking -na
6.2 Subordinate Clauses without -na
6.3 Noun-Modifying Clauses
6.4 Other Content-attributing Strategies
7 Prosody
7.1 Declination
7.2 Focus
7.3 Final Rise (or Suspension)
7.4 Antitopics
7.5 Dramatizing Prosody
7.6 Final Lengthening
7.7 Pitch Contours Tied to Pragmatic Morphemes
Appendices
Appendix A: A Story of Three Brothers
Appendix B.1: Reduplicated and Assonant Formations
Appendix B.2: Basic Vocabulary
References
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