Queer Mexico : cinema and television since 2000
著者
書誌事項
Queer Mexico : cinema and television since 2000
(Queer screens)
Wayne State University Press, c2017
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
Explores the rich and varied LGBT cinema and television of Mexico since the new millennium.
Queer Mexico: Cinema and Television since 2000 provides critical analysis of both mainstream and independent audiovisual works, many of them little known, produced in Mexico since the turn of the twenty-first century. In the book, author Paul Julian Smith aims to tease out the symbiotic relationship between culture and queerness in Mexico. Smith begins with the year 2000 because of the political shift that happened within the government-the Institutional Revolutionary Party (PRI) was voted out of national office after over seventy years in power. Judicial and social changes for LGBT Mexicans came in the wake of what was known at the time as simply ""the change"" (""el cambio"") at the start of the millennium, bringing about an increased visibility and acknowledgment of the LGBT community.
Divided into five chapters, Queer Mexico demonstrates the diversity of both representation and production processes in the Mexican film and television industry. It attempts also to reconstruct a queer cultural field for Mexico that incorporates multiple genres and techniques. The first chapter looks at LGBT festivals, porn production, and a web-distributed youth drama, claimed by its makers to be the first wholly gay series made in Mexico. The second chapter examines selected features and shorts by Mexico's sole internationally distributed art house director, Julian Hernandez. The third chapter explores the rising genre of documentary on transgender themes. The fourth chapter charts the growing trend of a gay, lesbian, or trans-focused mainstream cinema. The final chapter addresses the rich and diverse history of queer representation in Mexico's dominant television genre and, arguably, national narrative: the telenovela.
The first book to come out of the Queer Screens series, Queer Mexico is a groundbreaking monograph for anyone interested in media or LGBT studies, especially as it relates to the culture of Latin America.
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