Cinema and Agamben : ethics, biopolitics and the moving image

Bibliographic Information

Cinema and Agamben : ethics, biopolitics and the moving image

edited by Henrik Gustafsson and Asbjørn Grønstad

Bloomsbury, 2015

  • : pbk

Available at  / 2 libraries

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Note

Originally published: 2014

Includes bibliographical references and index

Description and Table of Contents

Description

Cinema and Agamben brings together a group of established scholars of film and visual culture to explore the nexus between the moving image and the influential work of Italian philosopher Giorgio Agamben. Including two original texts by Agamben himself, published here for the first time in English translation, these essays facilitate a unique multidisciplinary conversation that fundamentally rethinks the theory and praxis of cinema. In their resourceful analyses of the work of artists such as David Claerbout, Jean-Luc Godard, Philippe Grandrieux, Michael Haneke, Jean Rouch, and others, the authors put to use a range of key concepts from Agamben's rich body of work, like biopolitics, de-creation, gesture, potentiality and profanation. Sustaining the eminently interdisciplinary scope of Agamben's writing, the essays all bespeak the importance of Agamben's thought for forging new beginnings in film theory and for remedying the elegiac proclamations of the death of cinema so characteristic of the current moment.

Table of Contents

List of Illustrations Acknowledgements Introduction: Giorgio Agamben and the Shape of Cinema to Come, Asbjorn Gronstad & Henrik Gustafsson For an Ethics of the Cinema, Giorgio Agamben Cinema and History: On Jean-Luc Godard, Giorgio Agamben Chapter 1. Silence, Gesture, Revelation: The Ethics and Aesthetics of Montage in Godard and Agamben, James S. Williams Chapter 2. Passion, Agamben and the Gestures of Work, Libby Saxton Chapter 3. Gesture, Time, Movement: David Claerbout meets Giorgio Agamben on the Boulevard du Temple, Janet Harbord Chapter 4. Film-of-Life: Agamben's Profanation of the Image, Benjamin Noys Chapter 5. Biopolitics of Gesture: Cinema and the Neurological Body, Pasi Valiaho Chapter 6. Propositions for a Gestural Cinema: On 'Cine-Trances' and Jean Rouch's Ritual Documentaries, Joao Mario Grilo Chapter 7. Engaging Hand to Hand with the Moving Image: Serra, Viola and Grandrieux's Radical Gestures, Silvia Casini Chaoter 8. Counterfactual, Potential, Virtual: Toward a Philosophical Cinematics, Garrett Stewart Chapter 9. Montage and the Dark Margin of the Archive, Trond Lundemo Chapter 10. Remnants of Palestine, or, Archeology after Auschwitz, Henrik Gustafsson NOTES ON CONTRIBUTORS INDEX

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Details

  • NCID
    BB26953354
  • ISBN
    • 9781501308598
  • Country Code
    us
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    New York ; London ; New Delhi ; Sydney
  • Pages/Volumes
    x, 248 p.
  • Size
    23 cm
  • Classification
  • Subject Headings
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