Social and political theatre in 21st-century Britain : staging crisis
著者
書誌事項
Social and political theatre in 21st-century Britain : staging crisis
（Methuen drama engage / series editors, Enoch Brater and Mark Taylor-Batty）
Bloomsbury, 2017
- : pbk
- タイトル別名
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Social and political theatre in twenty first century Britain
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注記
Includes bibliographical references (p. [250]-262) and index
内容説明・目次
内容説明
In a context of financial crisis that has often produced a feeling of identity crisis for the individual, the theatre has provided a unifying forum, treating spectators as citizens. This book critically deals with representative plays and playwrights who have stood out in the UK and internationally in the post-recession era, delivering theatre that in the process of being truthful to the contemporary experience has also redefined theatrical form and content.
Built around a series of case-studies of seminal contemporary plays exploring issues of social and political crisis, the volume is augmented by interviews with UK and international directors, artistic directors and the playwrights whose work is examined. As well as considering UK stage productions, Angelaki analyses European, North American and Australian productions, of post-2000 plays by writers including: Caryl Churchill, Mike Bartlett, Dennis Kelly, Simon Stephens, Martin Crimp, debbie tucker green, Duncan Macmillan, Nick Payne and Lucy Prebble.
At the heart of the analysis and of the plays discussed is an appreciation of what interconnects artists and audiences, enabling the kind of mutual recognition that fosters the feeling of collectivity. As the book argues, this is the state whereby the theatre meets its social imperative by eradicating the distance between stage and spectator and creating a genuinely shared space of ideas and dialogue, taking on topics including the economy, materialism, debt culture, the environment, urban protest, social media and mental health. Social and Political Theatre in 21st-Century Britain demonstrates that such contemporary playwriting invests in and engenders moments of performative reciprocity and spirituality so as to present the audience with a cohesive collective experience.
目次
Acknowledgements
Introduction: Theatres of Crisis
1. Too Much Information: Caryl Churchill and Post-millennial Angst
2. Occupy the Audience: Mike Bartlett and the Collectivity of Resistance
3. Defined by Debt: Dennis Kelly and Capitalist Dependencies
4. Austerity VS Prosperity: Duncan Macmillan, Nick Payne and the Economy of Emotion
5. Utopia to Dystopia: Martin Crimp and the Illusion of Insularity
6. The Darkness within: Simon Stephens and the Depth of Melancholy
7. Residues of Violence: debbie tucker green and Desolate Urban Landscapes
8. Trials of Happiness: Lucy Prebble and the Human Experiment
Conclusion
Epilogue
Index
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