Stylistics

著者

• 豐田, 昌倫 トヨタ, マサノリ

書誌事項

Stylistics

edited by Masanori Toyota

（Sage benchmarks in language and linguistics）

Sage Reference, 2018

• : set : hb
• v. 1
• v. 2
• v. 3
• v. 4
• v. 5
• v. 6

注記

Includes bibliographical references

内容説明・目次

内容説明

Stylistics is a branch of applied linguistics which studies style, especially in works of literature. Above all, it has long fascinated academics working at the interface between language and literature, as is attested in the opening chapter of Linguistics and Literary History by Leo Spitzer (1948). The present major work is organized into four parts across six volumes. Part 1 deals with the general issues of Theories and Methods from formalist stylistics to corpus stylistics, cognitive stylistics, and creative stylistics. Part 2 focuses on the 'Aspects of Stylistics', such as foregrounding, transitivity, creativity, thought presentation, ideology, metaphor, collocation, identification and contextualization. 'Stylistics of Prose' is the topic of Part 3, which includes articles on stylistic analysis of prose, British and American fiction and newspapers. Part 4 is entitled 'Stylistics of Verse and Drama'. Included in this volume are articles on stylistic analysis of poetry and drama. It is hoped that this SAGE Major Work will be a happy addition to the field of language and literature.

目次

VOLUME 1 Appendix of Sources Editors' Introduction The Development of Stylistics Linguistics and Literary History - Leo Spitzer Argument II. Literature and Linguistics - Roger Fowler and F W Bateson Argument II. (continued) Language and Literature - Roger Fowler and F W Bateson Stylistic Analysis - David Crystal and Derek Davy A Method of Analysis and Some Examples - Geoffrey N Leech and Michael H Short Style and Interpretation in Hemingway's "Cat in the Rain" - Ronald Carter Style and Purpose - Randolph Quirk and Gabriele Stein Using a Corpus for Stylistic Research: Speech and Thought Presentation - Mick Short, Elena Semino and Jonathan Culpeper Multivariate Analysis and the Study of Style Variation - David L Hoover The Web-based Language and Style Course - Mick Short, Beatrix Busse and Patricia Plummer Style in Fiction Revisited: The Beginnings of Great Expectations - Geoffrey Leech Narrative Progression in the Short Story: First Steps in a Corpus Sylistic Approach - Michael Toolan The Cognitive Poetics of Literary Resonance Peter Stockwell VOLUME 2 Appendix of Sources Rhetorical Pedagogy: Teaching Students to Write a Stylistics Paper - Michael Burke Just What Is Narrative Urgency - Paul Simpson Towards an Integrated Corpus Stylistics - Dan McIntyre From Reading to Writing: Creative Stylistics as a Methodology for Bridging the Gap Between Literary Appreciation and Creative Writing in ELT - Yoshifumi Saito Pedagogical Stylistics in Multiple Foreign Language and Second Language Contexts - Gary G Fogal Reader Response Research in Stylistics - Sara Whiteley and Patricia Canning Part 2: Various Concepts of Stylistics Stylistics and Generative Grammars - J P Thorn Meaning and World View - Roger Fowler Subjectivity as a Text-Type Marker in Historical Stylistics - Irma Taaviotsainen Introduction - Jean-Paul Vinay and Jean Darbelnet 'Linguistic Signals and Interpretative Strategies: Linguistic Models in Performance with Special Reference to Free Indirect Discourse - Monika Fludernik Stylistic Analysis and Relevance Theory - Billy Clark Women Beware Women: Detective Fiction and Critical Discourse Stylistics - Urszula Clark and Sonia Zyngier Evidentiality and Affect: A Quantitative Approach - Greg Watson Towards a Methodology of Investigating the Style of a Literary Translation - Mona Baker VOLUME 3 Appendix of Sources Parody and Style - Seymour Chatman Altered Texts, Altered Worlds, Altered Styles - David L Hoover Repetition in Free Indirect Style: A Dialogue of Minds? - Violeta Sotirova Lines on Feeling: Foregrounding, Aesthetics and Meaning - Willie van Peer, Jemeljan Hakemulder and Sonia Zyngier Style in Interior Monologue: Virginia Woolf's "The Mark on the Wall - Geoffrey Leech Deixis and Fictional Minds - Elena Semino Text World Theory, Real Readers and Emotional Responses to The Remains of the Day - Sara Whiteley The Social Life of Style - Emma Moore Repetition, Difference and Chiasmus in John McGahern's Narratives - Michael C Prusse Towards a Musical Stylistics: Movement in Kate Bush's 'Running Up That Hill' - Massimiliano Morini Mind-Modelling with Corpus Stylistics in David Copperfield - Peter Stockwell and Michaela Mahlberg Revisiting Text World Theory and Extended Metaphor: Embedding and Foregrounding Extended Metaphors in the Text Worlds of the 2008 Financial Crash - Sam Browse A Comparable Comparison? A Corpus Stylistic Analysis of the Italian Translation of - Julian Barnesand and Jane Helen Johnson Narrativity and Creativity in Oral Storytelling: Co-constructing a Story with the Audience - Soe Marlar Lwin Part 3: Stylistics of Prose James Joyce: Dubliners - John Russell VOLUME 4 Appendix of Sources Editors' Introduction Prose Devices - Ronald Carter and Walter Nash Noun Phrase Name Appositions - Andreas H Jucker A Stylistic Analysis of Middlemarch: "Polyphony" in the Context of "Pre-Modernism" - Masayuki Teranishi Point of View and Semantic Prosodies in Virginia Woolf's To the Lighthouse - Svenja Adolphs and Ronald Carter Chandler's American Style - Susan Peck MacDonald Towards a Stylistic Typology of Narrative Gaps: Knowledge Gapping in Flannery - O'Connor's Fiction 'Creation from Nothing': A Foregrounding Study of James Joyce's Drafts for Ulysses - Paul Sopcak Mythology and History: A Stylistic Analysis of The Lord of the Rings - Robin Anne Reid The Roots of Literary Style: Joyce's Representation of Consciousness in - Ulysses Violeta Satirova Point of View in First-Person Narratives: A Deictic Analysis of David Copperfied - Massimiliano Morini Repetition, Difference and Chiasmus in John McGahern's Narratives - Michael C Prusse Is Style in Short Fiction Different from Style in Long Fiction? - Michal Toolan Reading Dickens's Characters: Employing Psycho-Linguistic Methods to Investigate the Cognitive Reality of Patterns in Text - Michaela Mahlberg, Kathy Conklin and Marie-Joses Bison How Is Mrs Ramsay Thinking?: The Semantic Effects of Consciousness Presentation Categories Within Free Indirect Style - Eric Rudquist Connectives 'But' and 'For' in Viewpoint Shifting in Woolf's To the Lighthouse - Reiko Ikeo VOLUME 5 Appendix of Sources Dual Textual Dynamics and Dual Readerly Dynamics: Double Narrative Movement in Mansfield's "Psychology" - Dan Shen Attributing Minds to Vampires in Richard Matheson's I Am Legend - Louise Nutall Remember and Forget in Dan Brown's Angels and Demons: A Corpus-Informed Account - Ernestine Lahey Midlands Cadences: Narrative Voices in the Work of Alan Sillitoe - Jeremy Scott A Corpus-Stylistic Approach to Dickens's Use of Speech Verbs: Beyond Mere Reporting - Pablo Ruano San Segundo Part 4: Stylistics of Verse and Drama Taking a Poem to Pieces - J McH Sinclair Roman Jakobson's Verbal Analysis of Poetry Paul Werth Discourse Analysis and the Analysis of Drama Mick Short Sound and the Pattern of Poetic Meaning - Walter Nash Poetry and Conversation: An Essay in Discourse Analysis - Ronald Carter Pronouns as Address and Social Negotiation in As You Like It - Clara Calvo Grounded Spaces: Deictic-Self Metaphors in the Poetry of Emily Dickinson - Margaret H Freeman Barometer Couple': Balance and Parallelism in Margaret Atwood's Power Politics - Pilar Somacarrera A Cognitive Approach to Characterization: Katherina in Shakespeare's The Taming of the Shrew - Jonathan Culpeper VOLUME 6 Appendix of Sources A Cognitive Rhetoric of Poetry and Emily Dickinson - Craig Hamilton Foregrounding in Poetic Discourse Between Derivation and Cognitive Constraints - Yashayahn Shen The Role of Style in Reader-Involvement: Deictic Shifting in Contemporary Poems - Leslie Jeffries What's in a Clause? Milton's Participial Style Revisited - Gareth Twose Negation and the Creation of Implicit Meaning in Poetry - Lisa Nahajec The Stylistics of Poetry: Walter de la Mare's "The Listeners" - Katie Wales "Public-House Confidence"': The Indispensability of Sound Patterns - Tom Barney Multimodality of the Study of Popular Drama - Kay Richardson A Tragic Harp: Ritual, Irony and Myth in the War Poetry of Wilfred Owen - William Kevin Penny Translating Celan's Poetics of Silence - Jean Boase-Beier About the Heart, Where it Hurt exactly, and How Often - Joanna Gavins Creating a Film Poem with Stylistic Analysis: A Pedagogical Approach - Kieran O'Halloran I Will Proclaim Myself What I Am: Corpus Stylistics and the Language of Shakespeare's Soliloquies - Sean Murphy oride lesgo eckshun': Spelling Foregrounding in the Experimental Poetry of E. E. Cummings - Eva Maria and Gomez-Jimenez "Out of the Forest I Come": Lyric and Dramatic Tension in The World's Wife - Shelley Roche-Jacques Towards Characterizing a Type of Aggravated Impoliteness, with Examples From Timon of Athens - Juhani Rudanko Difficult Poetry Processing: Reading Times and the Narrative Hypothesis - David Castiglione

「Nielsen BookData」 より

• NII書誌ID(NCID): BB27175899
• ISBN:
  • 9789352806621
• LCCN: 2018010283
• 出版国コード: us
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: Los Angeles
• ページ数/冊数: 6 v.
• 大きさ: 24 cm
• 分類:
  • LCC : P301
  • DC23 : 808
  • NDC10 : 801.6
• 件名:
  • LCSH : Language and languages -- Style
  • LCSH : Literary style
• 親書誌ID:
  • BB07884753