Reelpolitik ideologies in American political film
著者
書誌事項
Reelpolitik ideologies in American political film
（Lexington studies in political communication）
Lexington Books, c2012
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注記
"Ideological filmology": p. 233-236
Bibliography: p. 237-240
Includes index
内容説明・目次
内容説明
In Reelpolitik Ideologies in American Political Film, Beverly Merrill Kelley examines more than a century of political movie history, providing a thorough historical background for diametrically opposed political ideologies in order to facilitate debate and dialectical learning. Kelley explores 185 American political movies (categorized by ideological themes and presented in chronological order) in order to illustrate the history of film as well as the history of the specific political ideology. Each chapter includes a case study which provides an in-depth analysis of the single film that best illustrates the ideology at hand, including: The Candidate (populism), Wall Street (elitism), The Godfather (fascism), All the President's Men (anti-fascism), Patton (interventionism), and M*A*S*H (isolationism). Reelpolitik Ideologies in American Political Film establishes a paradigmatic analysis of political films that details the cyclical nature of ideological dialectic throughout American history and identifies the values, attitudes, and beliefs of the voters who choose not to affiliate with Republicans and Democrats, and who often determine the outcomes of elections. The text also includes an extensive ideological filmology spanning more than 100 years of American cinema. This study represents a bold investigation of the political and social values of American film, and is an essential text in the study of the relationship between culture and politics.
目次
Chapter 1. Introduction
Chapter 2. Tale of Two Cities
Chapter 3. Populism
Chapter 4. Elitism
Chapter 5. Fascism
Chapter 6. Antifascism
Chapter 7. Interventionism
Chapter 8. Isolationism
Chapter 9. Conclusion
Ideological Filmology
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