Reelpolitik ideologies in American political film
著者
書誌事項
Reelpolitik ideologies in American political film
(Lexington studies in political communication)
Lexington Books, c2012
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Ideological filmology": p. 233-236
Bibliography: p. 237-240
Includes index
内容説明・目次
内容説明
In Reelpolitik Ideologies in American Political Film, Beverly Merrill Kelley examines more than a century of political movie history, providing a thorough historical background for diametrically opposed political ideologies in order to facilitate debate and dialectical learning. Kelley explores 185 American political movies (categorized by ideological themes and presented in chronological order) in order to illustrate the history of film as well as the history of the specific political ideology. Each chapter includes a case study which provides an in-depth analysis of the single film that best illustrates the ideology at hand, including: The Candidate (populism), Wall Street (elitism), The Godfather (fascism), All the President's Men (anti-fascism), Patton (interventionism), and M*A*S*H (isolationism). Reelpolitik Ideologies in American Political Film establishes a paradigmatic analysis of political films that details the cyclical nature of ideological dialectic throughout American history and identifies the values, attitudes, and beliefs of the voters who choose not to affiliate with Republicans and Democrats, and who often determine the outcomes of elections. The text also includes an extensive ideological filmology spanning more than 100 years of American cinema. This study represents a bold investigation of the political and social values of American film, and is an essential text in the study of the relationship between culture and politics.
目次
Chapter 1. Introduction
Chapter 2. Tale of Two Cities
Chapter 3. Populism
Chapter 4. Elitism
Chapter 5. Fascism
Chapter 6. Antifascism
Chapter 7. Interventionism
Chapter 8. Isolationism
Chapter 9. Conclusion
Ideological Filmology
「Nielsen BookData」 より