Stanley Kwan's Center stage

Author(s)

Bibliographic Information

Stanley Kwan's Center stage

Mette Hjort

(The new Hong Kong cinema series)

Hong Kong University Press, c2006

  • : pbk

Other Title

Center stage

阮玲玉

Available at  / 1 libraries

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Note

Filmography: p. [127]-128

Bibliography: p. [129]-135

Includes index

Description and Table of Contents

Description

Hjort argues that Stanley Kwan's contribution in Center Stage is to develop an approach to nonfiction filmmaking that is realist without being naive. The value of the film's reflexive dimension, Hjort shows, has nothing to do with poststructuralist skepticism but with the compelling manifestation of a communicative model that serves as an alternative to hierarchical and authoritarian modes of social organization.

Table of Contents

  • 1 On Method, Production, and Reception
  • - Angles and Approaches
  • - Documentary Filmmaking in Hong Kong
  • - The Making of Center Stage
  • - Producers' Decisions, Distributors' Practices
  • - The Constitution of Center Stage as a Classic of the New Hong Kong Cinema
  • 2 Film Style
  • - The Cinematic Image as Historical Trace, Documentary Record, and Interpretive Reconstruction
  • - The Director's Cut and the Shortened Version
  • - Artifice, Reflexivity, and Doubt: Center Stage and the Question of Knowledge
  • 3 Relevance and Meaning
  • - Heritage Culture
  • - Against Gossip: On Hierarchy and Egalitarianism
  • - Lianhua, Kwan, and TVB
  • Notes
  • Credits
  • Awards and Nominations
  • Stanley Kwan's Filmography.

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