Polycultural synthesis in the music of Chou Wen-Chung
Author(s)
Bibliographic Information
Polycultural synthesis in the music of Chou Wen-Chung
Routledge, 2018
- : hbk
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
The displacement of Chou Wen-chung from his native China in 1948 forced him into Western-European culture. Ultimately finding his vocation as a composer, he familiarized himself with classical and contemporary techniques but interpreted these through his traditionally oriented Chinese cultural perspective. The result has been the composition of a unique body of repertoire that synthesizes the most progressive Western compositional idioms with an astonishingly traditional heritage of Asian approaches, not only from music, but also from calligraphy, landscape painting, poetry, and more. Chou's importance rests not only in his compositions, but also in his widespread influence through his extensive teaching career at Columbia University, where his many students included Bright Sheng, Zhou Long, Tan Dun, Chen Yi, Joan Tower, and many more. During his tenure at Columbia, he also founded the U.S.-China Arts Exchange, which continues to this day to be a vital stimulus for multicultural interaction. The volume will include an inventory of the Chou collection in the Paul Sacher Stiftung in Basel, Switzerland.
Table of Contents
1. Chou Wen-chung: Voice of Authenticity in the Age of Change. Frederick Lau 2. Chou Wen-chung: A Biographical Essay. Mark A. Radice 3. Musical Brushstrokes: Calligraphy and Texture in the Music of Chou Wen-chung. Eric Lai 4. Snapshot: Chou Wen-chung and Developments in Contemporary Music. Don Palma 5. Chou Wen-chung's Echoes from the Gorge. Kenneth Kwan 6. Snapshot: Chou Wen-Chung's Responsibility to the World. Richard Pittman 7. The Cultural Origins of the Compositional Structures in Windswept Peaks for Violin, 'Cello, Clarinet, and Piano. Mary I. Arlin 8. Snapshot: Chou as Composer and Collaborator. Mark Steinberg 9. Symmetry as a Cultural Determinant in the Music of Chou Wen-chung. Shyhji Pan-Chew 10. Chen Yi, Zhou Long, and Mark A. Radice in Conversation about Chou Wen-chung 11. An Inventory of the Chou Wen-chung Archive at the Paul-Sacher Stiftung, Basel, Switzerland. Heidy Zimmermann 12. Chou Wen-chung: Works List and Bibliography. Kristina L. Shanton
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